Broadcast Content Research Articles

Next-Generation OTT Distribution Architecture Supporting Multicast-Assisted ABR (mABR) and HTTP/3 Over QUIC

<italic xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">The potential audience for streaming media services is massive, but satisfying that kind of demand poses a huge technical challenge. Even if existing content delivery networks (CDNs) were capable of distributing such loads, the costs at that scale would remain beyond the monetary capabilities of any broadcaster. By reducing transmission costs associated with content delivery at scale, broadcasters would pay less to the CDNs, making the content cheaper to the end user. In traditional broadcasting technologies, a majority of commercially available content distribution architectures are based on a paradigm rooted in linear broadcast services, having a very basic media service composition, solely focusing on the delivery of content interpretable on a vast amount of compatible TV sets with built-in tuners.While this helped transform the industry by facilitating the transition from analogue to digital broadcast content distribution, it now leaves content providers and broadcast network operators wondering how they can remain relevant in the age of web and internet streaming. This article will take its point of departure in evolved content distribution systems and the resulting system architectures for next-generation broadcast over-the-top (OTT) live and on-demand streaming. It will focus on a solution for efficient and secure transport of well-known low-latency streaming protocols by employing QUIC as a primary transport protocol for the industry leading IP multicast architectures supporting multicast-assisted adaptive bitrate (mABR) streaming, enabled by novel HTTP/3 server push techniques. At scale, the solution could significantly reduce the amount of open streaming sessions, improving the scalability of existing audio–video streaming architectures, and reducing the wastage of scarce bandwidth. Placing physical gateway boxes within users’ home network that fully support QUIC and multicast content reception can reduce the prevalent lack of user agent support for reception of multicast QUIC content. This new model with the core transport protocol based on QUIC will be the foundation for unified content distribution architectures, spanning internet streaming, IPTV, 5G, and the latest ATSC and DVB physical layers, allowing for an efficient, IP-based delivery of linear content to thin clients.</i>

DAMPAK SIARAN TELEVISI TERHADAP KEUTUHAN RUMAH TANGGA PASANGAN USIA MUDA DI ACEH

This studi, entitle of “The Effect of Television Broadcasting on Household Integrity of Young Couples in Aceh, (Analysis of Three Cases of Violence against Husbands in North Aceh), raises two problem formulations; How is the influence of television broadcasting on household integrity of young couples in Aceh and how the content of television broadcasts affects the violence of wives against husbands and the research objectives are to answer the two problem formulations above. This research is designed as a qualitative research with informants as sources who are selected from various groups including the wife of the perpetrator of the violence themselves. Using the cultivation theory of cultivation theory and the theory of cultural colonization (cultural imperialism theory) as a research guide and scalpel of the existing problems. The research results show that; 1) the influence of the mass media on the integrity of the households of young couples in Aceh through a) cognitive (changes in knowledge) both negative and positive, b) affective (changes in attitudes) and c) behavioral (changes in behavior), these three influences occur due to imitation what they see on the screen, in the form of news, soap operas, films, quizzes and infotainments (coverage of celebrity life) and the violence itself. This change in knowledge, attitudes and behavior encourages women (wives) in Aceh to try to practice it, including the strategy of having an affair with other men, even the strategy of getting rid of (killing) their own legitimate husband. This violence was preceded by domestic conflict (husband-wife squabbling) which continued into two options, first filing for divorce and secondly killing her own husband, especially women with low education and minimal religious teachings (Islam), driven by the pleasure of adultery and male seduction. other. 2) Television broadcast content that affects violence against husbands, especially entertainment broadcast content such as soap operas, films and infotainments that are dry with education, morality and religion. Thus, what is seen in soap operas, films, infotainments and violence itself tends to be imitated and used as a case study by female viewers in Aceh for their practice.

A PERAN LPP TVRI SEBAGAI TELEVISI EDUKASI MELALUI PROGRAM BELAJAR DARI RUMAH SELAMA PANDEMI COVID-19

This research started from an interest in TVRI as a public media to help the public related to the condition of distance education during the COVID-19 pandemic, which during this pandemic makes everyone in the world, especially in Indonesia, require all activities carried out at home, one of which is learning. The problem in this research is how LPP TVRI Role as Educational Television Through Home Learning Program During THE COVID-19 Pandemic. The research paradigm used is post-positivism with qualitative approach and descriptive method. Data obtained through in-depth interviews and documentation such as photographs, personal documents and official documents to be used as supporting data on this research. Problems are analyzed using the function of mass communication. The results showed that LPP TVRI is able to provide quality content and learning materials to be aired to the community, especially school children through the Learning from Home program. This can be achieved because of the role of supervision, interpretation, relationships, and the dissemination of values. The conclusions in this study are from the four indicators drawn from the function of mass communication that LPP TVRI has a role in the supervision of broadcast content, interpretation in the dissemination of audience insights, relationships in uniting indonesian society in an educational impression, as well as the spread of noble values implied and express in the content of Learning from Home.

The Existence of Radio Republik Indonesia Banda Aceh in Educating Disaster Risk Reduction Efforts

&lt;em&gt;&lt;span&gt;Radio is one of the media still used by the public either for having entertainment or gaining information. &lt;/span&gt;&lt;span&gt;Amid the rapid growth of television and internet, radio is still exhibiting its existence.&lt;/span&gt;&lt;span&gt; Radio’s involvement on the efforts of educating &lt;/span&gt;&lt;span lang="IN"&gt;D&lt;/span&gt;&lt;span&gt;isaste&lt;/span&gt;&lt;span lang="IN"&gt;r R&lt;/span&gt;&lt;span&gt;isk&lt;/span&gt;&lt;span lang="IN"&gt; R&lt;/span&gt;&lt;span&gt;eduction&lt;/span&gt;&lt;span lang="IN"&gt; (DRR)&lt;/span&gt;&lt;span&gt; to the public is crucial because it can be accessed conveniently in variety circumstances. This study focused on examining how the existence of Radio Republik&lt;/span&gt;&lt;span&gt;Indonesi&lt;/span&gt;&lt;span lang="IN"&gt;a (RRI)&lt;/span&gt;&lt;span&gt; Banda Aceh in educating &lt;/span&gt;&lt;span lang="IN"&gt;DRR &lt;/span&gt;&lt;span&gt;efforts for the public. &lt;/span&gt;&lt;span lang="IN"&gt;It discussed about how the people obtain the DRR education through some radio programs concerning to DRR. RRI &lt;/span&gt;&lt;span&gt;Banda Aceh was chosen because it is the only one government owned radio in Banda Aceh that is responsible on educating the public through the broadcasting contents. This study was conducted by using a qualitative method. The data were collected by means of interviewing the leaders of &lt;/span&gt;&lt;span lang="IN"&gt;RRI &lt;/span&gt;&lt;span&gt;Banda Aceh and observing the recording of the radio broadcasted contents related to the &lt;/span&gt;&lt;span lang="IN"&gt;DRR&lt;/span&gt;&lt;span&gt;. This study, eventually, found that the existence of &lt;/span&gt;&lt;span lang="IN"&gt;RRI &lt;/span&gt;&lt;span&gt;Banda Aceh in &lt;/span&gt;&lt;span lang="IN"&gt;educating DRR &lt;/span&gt;&lt;span&gt;efforts was manifested in three different ways such as broadcasting disaster news, talk&lt;/span&gt;&lt;span lang="IN"&gt;-&lt;/span&gt;&lt;span&gt;shows, and public service announcements. Those three ways ha&lt;/span&gt;&lt;span lang="IN"&gt;d&lt;/span&gt;&lt;span&gt; their own advantages and disadvantages.&lt;/span&gt;&lt;/em&gt;

UPAYA MELESTARIKAN BAHASA DAERAH BEBASAN (JAWA SERANG) MELALUI KONTEN DIGITAL

Along with the development of the times and the rapid flow of information, regional languages ??began to be eroded by other languages ??that were considered more modern. The people of Banten themselves are starting to be reluctant to use their own regional language in their daily life, one of which is the Javanese language of Serang smooth/Bebasan. If this continues, it could be that the regional language will only become history. This Banten Javanese language is spoken in several areas such as the north of Serang Regency, Serang City, Cilegon City and the western area of ??Tangerang Regency. The younger generation is expected to be the successor and inheritor of the regional cultural wealth, including language. The development of information technology today can be used as a channel of information easily to the public anywhere and anytime as long as it is connected to the internet. This Bebasan language has the potential to be preserved by creating digital content so that the younger generation can know and be more interested in learning the Bebasan language. The method used is the creation of digital content starting from socializing story ideas, creating scenarios in Bebasan language, determining roles, preparing properties, filming, editing videos, and the validation process before uploading to Youtube. This condition is used to attract the younger generation in Serang Banten to get to know their local language again through digital content broadcast through the online media platform youtube

The proceedings of Spanish Audiovisual Councils on discriminatory discourse

Mass media, and especially television, are powerful discursive instruments, responsible for the construction of social imagery through ideologically determined content. For this reason, the creation of a regulatory body with authority over the audiovisual sector in countries without one was urged by the Committee of Ministers of the Council of Europe in 2000. Spain is the only EU country without an audiovisual council with authority at the state level. Currently, only the Audiovisual Council of Catalonia (CAC), created in 2000, and the Audiovisual Council of Andalusia (CAA), which dates from 2004, operate in Spain. Within an environment increasingly marked by hate speech, this research analyzes the proceedings of the Andalusian and Catalan Audiovisual Councils between 2004 and 2019 as it pertains to discrimination against vulnerable groups. Every pronouncement made by both councils on potentially discriminatory discourses was retrieved (n=156). These were content analyzed by codifying, among others, the following variables: type of action, the source that motivated it, the disseminating media outlet, the evaluated content, the type of discrimination alleged, the decision taken, and the type of sanction imposed by the councils, as the case may be. The results indicate that most of the actions concerned involve discrimination against women, originate from third-party complaints and target content broadcast on public television.

Туризм в эпоху социальных сетей: картинка или реальность?

The development of social networks and universal digitalization have led to widespread changes in society and in all spheres of activity, including tourism. The growing popularity of information platforms containing content created by travelers has determined the vector of scientific research towards the dominant role of social networks at the stage of the travel planning process. The increased impact of social networks as the main source of tourist information determines the tourist location, place and type of residence. As a rule, the choice of potential tourists is determined by interesting stories, colorful landscapes, reviews, formed public opinion and other content broadcast on the network by users. The article defines the role of social networks (travel blogs, forums) in modern society. It is shown that social networks have replaced travel agents, GPS-numerous maps and guidebooks, and the Instagram feed – a photo album. The authors conclude that modern travel has completely moved to the digital environment and now it is almost impossible to imagine a trip without posts on social networks and an endless stream of recommendations in the comments. The article pays special attention to the role of Instagram in the modern development of tourism, including negative aspects that have a disastrous impact on the industry.

Automatic TV Logo Identification for Advertisement Detection without Prior Data

Advertisements are often inserted in multimedia content, and this is particularly relevant in TV broadcasting as they have a key financial role. In this context, the flexible and efficient processing of TV content to identify advertisement segments is highly desirable as it can benefit different actors, including the broadcaster, the contracting company, and the end user. In this context, detecting the presence of the channel logo has been seen in the state-of-the-art as a good indicator. However, the difficulty of this challenging process increases as less prior data is available to help reduce uncertainty. As a result, the literature proposals that achieve the best results typically rely on prior knowledge or pre-existent databases. This paper proposes a flexible method for processing TV broadcasting content aiming at detecting channel logos, and consequently advertising segments, without using prior data about the channel or content. The final goal is to enable stream segmentation identifying advertisement slices. The proposed method was assessed over available state-of-the-art datasets as well as additional and more challenging stream captures. Results show that the proposed method surpasses the state-of-the-art.

Context-Based Structure Mining Methodology for Static Object Re-Identification in Broadcast Content

Technological advancement, in addition to the pandemic, has given rise to an explosive increase in the consumption and creation of multimedia content worldwide. This has motivated people to enrich and publish their content in a way that enhances the experience of the user. In this paper, we propose a context-based structure mining pipeline that not only attempts to enrich the content, but also simultaneously splits it into shots and logical story units (LSU). Subsequently, this paper extends the structure mining pipeline to re-ID objects in broadcast videos such as SOAPs. We hypothesise the object re-ID problem of SOAP-type content to be equivalent to the identification of reoccurring contexts, since these contexts normally have a unique spatio-temporal similarity within the content structure. By implementing pre-trained models for object and place detection, the pipeline was evaluated using metrics for shot and scene detection on benchmark datasets, such as RAI. The object re-ID methodology was also evaluated on 20 randomly selected episodes from broadcast SOAP shows New Girl and Friends. We demonstrate, quantitatively, that the pipeline outperforms existing state-of-the-art methods for shot boundary detection, scene detection, and re-identification tasks.

The YouTube Social Network

Today, YouTube is the largest user-driven video content provider in the world; it has become a major platform for disseminating multimedia information. A major contribution to its success comes from the user-to-user social experience that differentiates it from traditional content broadcasters. This work examines the social network aspect of YouTube by measuring the full-scale YouTube subscription graph, comment graph, and video content corpus. We find YouTube to deviate significantly from network characteristics that mark traditional online social networks, such as homophily, reciprocative linking, and assortativity. However, comparing to reported characteristics of another content-driven online social network, Twitter, YouTube is remarkably similar. Examining the social and content facets of user popularity, we find a stronger correlation between a user's social popularity and his/her most popular content as opposed to typical content popularity. Finally, we demonstrate an application of our measurements for classifying YouTube Partners, who are selected users that share YouTube's advertisement revenue. Results are motivating despite the highly imbalanced nature of the classification problem.

What a Friend We Have in Facebook: Norwegian Christian Churches’ Use of Social Media

ABSTRACT This study examines how Christian churches in Norway use social media. The key finding is that the churches do not take extensive advantage of the opportunities for two-way communication offered by the platforms, but primarily use their social media channels to promote church activities or broadcast content without inviting a dialogue. Based on the churches’ own stated appreciation for building relationships, as well as existing research from media and communication studies, media and religion studies, and studies within strategic communication, this article argues for a stronger focus on the ritual and relational aspects of online communication from the church organizations.

Komodifikasi Penyiaran Agama Hindu Melalui Media YouTube Pada Era Pandemi Covid-19

The Covid-19 Pandemic era demands a new life order to shift changes in the performance system from offline to online performance. Religious figures who elaborate themselves with changes in living systems that are more dominant in virtual activity mechanisms by using various social media platforms as a forum for expressing and pouring out all their discourse activities. The most popular platform is YouTube media. Hindu pendharma wacana has a YouTube account containing dharma wacana content which contains various kinds of the essence of Hinduism. Hindu religious broadcasting content through YouTube media that uses religious or spiritual elements as commodities to attract the attention of audiences. The purpose of this study is to identify the form and process of commodification of Hindu religious teachings through YouTube media in the Covid-19 pandemic era and the implications of the commodification of Hindu religious teachings broadcasting through YouTube in the Covid-19 pandemic era. This study was studied using the Political Economy of Communication theory pioneered by Vincent Mosco to analyze the problem formulations in the study, namely related to the form, process, and implications of the commodification of Hindu religious teaching through YouTube media in the Covid-19 pandemic era. The research method used in this research is descriptive qualitative. The result of the research is that there has been a commodification of Hindu religious broadcasting through YouTube media during the Covid-19 Pandemic Era. In this era, Hindu religious instructors took advantage of digital technology to disseminate Hinduism. Commodification occurs in the process of seeking profits through advertisers who take advantage of the YouTube account subscribers. The increase in the use of YouTube as a medium was driven by restrictions on community activities during the Covid-19 Pandemic era. Because of these restrictions, people are more actively using online media than ever before.

History in Motion

The subject of this paper is the use of broadcast media content – newsreels, news reportage and non-fiction documentaries – in the history classroom. Used educationally as sources of evidence, such moving images offer students a valuable learning experience. Drawing on findings from a study involving students analysing media content in a Maltese secondary history classroom, I report how students preferred the documentary-type of broadcast content. Students demonstrated an awareness of disciplinary knowledge when analysing moving images and highlighted certain limitations. Teacher questions were key to driving the analysis forward. I place these findings within the general goal of helping students become visually literate. It is hoped that the reflections offered will help educators maximise the use of broadcast media content to promote effective learning in history and increase awareness among researchers and practitioners of television history and culture about educationally-relevant content.

PERAN KOMISI PENYIARAN INDONESIA DALAM MENGAWASI PENYELENGGARAAN PENYIARAN PADA MASA PANDEMI COVID-19

In order to support the government in overcoming the Covid-19 outbreak, Komisi Penyiaran Indonesia (KPI) has issued several policies related to broadcasting, especially on television. This policy was taken considering that television is still the media with the most audience reach and has a high duplication power in society. Therefore, in every program broadcast to the public, adherence to health protocols is a must. Based on this, it is necessary to examine in depth the role of KPI in overseeing broadcasting and the synergy between Central and Regional KPIs in overseeing broadcasting during the Covid-19 pandemic. The results showed that the KPI in supervising broadcasting during the Covid-19 pandemic played an optimal role in regulating and supervising broadcast content by issuing policies to broadcast the socialization of prevention of the spread of Covid-19 either through Public Service Ads (ILM) or other programs by television and radio. In addition, KPI also issued KPI Decree (KKPI) Number 12 of 2020 concerning Support of Broadcasting Institutions in Efforts to Prevent and Overcome the Spread of Covid-19. Then to follow up on the Circular on news related to the Covid-19 Virus, the Central KPI along with Regional KPI throughout Indonesia conveyed and reminded all Broadcasting Institutions to remain guided by broadcasting rules in broadcasting institutions to convey useful and accountable information.

Curation as methodological enhancement in researching production cultures behind screen content about displaced children in Europe

This paper starts from the premise that research into how producers negotiate issues of diversity and multicultural content in Europe is rare and mostly relies on interviews and documents, and furthermore work on understanding those negotiation processes in relation to children’s screen content is even rarer. The article seeks to reflect critically on an alternative hybrid research method, which aims to open up a space for dialogue about production processes and was applied in three workshops about children’s content and forced migration that the authors ran with content creators and broadcasters of children’s screen content in 2017–2018.

Local language programs in cultural radios to maintain Indonesian national identity

Private radio, which relies on programs with local cultural content in local languages, affects the success of reaching large audiences and financial benefits. In East Java, four private radios have the advantage of local cultural programs, namely Radio Jodhipati FM in Nganjuk, Radio Sritanjung FM in Banyuwangi, Radio Nada FM Sumenep, and Radio Media FM in Surabaya. This study aims to determine what cultural programs can increase the number of listeners and profitability on the four cultural radios. Furthermore, to find out why listeners like local cultural programs of each radio. This research on broadcast content on four cultural radios uses virtual ethnographic methods by collecting data, both offline and online. Researchers are involved in broadcasting activities on four cultural radios (offline) and listener interaction activities in the virtual world (online), namely Facebook and WhatsApp. This study conducted interviews with twelve informants representing radio management, local cultural figures, and loyal listeners. The results showed that each radio has excellent cultural programs with a solid appeal to maintain listener loyalty. The four cultural radios involve cultural experts in designing cultural programs. Listeners try to maintain local tastes because they realize that love for local culture is a strengthening of national identity, which is the richness of Indonesian culture.

From the Antenna to the Display Devices: Transformation of the Colombian Radio Industry

Consolidation of the digital environment has become an irreversible global reality and, for the Colombian radio industry, it implies not only assuming a process of transformation in its actions, but, above all, continuous learning. Technological innovation imposes new forms of consumption whose logic corresponds to new systems for the production, distribution and commercialization of information, culture, science and entertainment. Object of study. Adaptation of the radio medium to the digital ecosystem of audiences invites us to focus the attention of researchers on the media’s use of web-radio, app–radio and social media; the relevance of sound semiotics compared to other components of the message on users’ screens; and the alterations suffered by the business model and productive routines of the radio. Methodology. This research took as its focus of study three Colombian radio stations and their informative stations—Caracol Radio, W Radio, Blu Radio, RCN Radio and La FM—through a mixed methodology. Quantitative instruments—numerical data to monitor activities on social platforms—and qualitative instruments—interpretation of messages and visual composition of the message—allow for the monitoring and analyzing of the performance of the radio medium in the digital environment, and the tactical approach of radio agents to delineate the strategies that promote the expansion, positioning and participation of radio in the Colombian media ecosystem. Results. Normalization of connectivity, ubiquity, timelessness and interactivity are, today, inherent values of the content broadcast by the radio industry, which needs to appropriate the tastes and interests of the audience through multi-device, multi-tasking and multi-user devices. Conclusion. Consumption actions of listeners: users are concentrated on the Smartphone screens, which provides a habit of listening and monitoring that forces the media to incorporate the format—and language—of video into their productive dynamics in order to attract and retain the attention of their audiences.

A study on Korean fashion style expressed in YouTube content

The study aims to define the Korean Wave as global attention to Korea’s unique culture and consider the specificity of traditional Korean fashion images in Korean Wave content. The research method of this study is a case study through literature research. In order to collect Korean Wave content on YouTube, 24 channels with the highest number of views were selected from among content uploaded from 2018 to the present through keyword search, and up to two channels with high views showing traditional Korean fashion images. As a result of selecting the analysis target, 41 Korean Wave videos and 368 costumes were selected and analyzed based on fashion style elements, including item, color, detail, motif, styling, silhouette, and accessory. As a result of the study, music, broadcast, fashion, and other content were found in the Korean Wave content fields in which Korean fashion style appeared, and the characteristics of each field were derived. Music content was characterized by fashion style excluding stereotypes about traditional Korean costume, broadcast and fashion content was characterized by fashion style inherited from traditional costume, and other content was characterized by symbolic fashion style of traditional culture. This study is meaningful in revealing the formative characteristics of traditional Korean design elements recently shared online through the study of Korean traditional fashion images in Korean Wave content.

Preference of media politics and beginner voter trust in Surakarta

The Indonesian Presidential Elections of 2014 and 2019 indicated the behavioral changes in mass media, especially that of private television. The involvement of media owners in the political arena can influence the content of most journalistic broadcasts. Therefore, this study aims to determine the perception of student voters in Surakarta on media houses with political preferences. This might be because the media owner is actively supporting a political party or a particular candidate. Furthermore, if the media is under the influence of politics, how can voters have trust in the information dissipated, especially during elections. The data obtained for this study was through the distribution of questionnaires to college students aged 17-25 years that are voting for the first time. Most of the respondents stated that their political choices are not necessarily influenced by the media. The belief in the media is not directly related to political preferences but depends on the content or what is conveyed to the public. However, the involvement of media owners in politics also undermines public trust in the content of the media, especially about political news.

Construction of embedded secure terminal and multimedia database based on trusted computing technology and wireless network

Internet technology, as a product of the development of the network era, connects a large number of hardware devices, but the connection of many devices makes its corresponding security be greatly tested. The network security technology and the corresponding computer hardware security technology have become the focus of people's attention. At the same time, the construction of multimedia database based on this related technology has become the development trend of people's research and attention. Most of the conventional computer security technology focuses on the security construction of the operating system, which has certain openness, so its corresponding reliability is very low, but also uncontrollable. Based on this, this paper proposes a design scheme of the public security architecture on the embedded terminal, and realizes the design of the multimedia security broadcast control system based on this scheme, and realizes the play and storage of multimedia files, as well as the interaction between the corresponding media servers. The wireless network embedded security terminal designed in this paper includes client terminal identity authentication, corresponding media content protection and storage, and real-time broadcast content monitoring. Finally, the experiment is carried out based on the proposed design scheme. The experimental results show that the embedded security terminal proposed in this paper has obvious performance advantages, and its correctness and availability have been verified in practice.