Artistic Elements Research Articles

Forms of sacred buildings inspired by mountain sculpture. References to geological forms in the design of small contemporary mountain chapels

For centuries, architects have been inspired by nature, mimicking forms or observing phenomena and translating the principles of the natural environment into the structure of a building. The conscious mimicking of nature is mainly based on biological forms, but architects also draw on patterns derived from geomorphic features. Important sources of architectural inspiration among the inanimate elements of nature are mountains as models of beauty, stones and rocks as “indestructible” elements, and rock crystals as symbols of perfection and light. The aim of the study is to attempt to analyse and interpret the building lumps of selected small chapels from the Alpine region in terms of their reference to the motif of mountains or rock crystals and the means of architectural expression used for this purpose. The article discusses the principles of form, colours, materials used, the relationship to the natural landscape and the symbolic meanings of the buildings. It has been shown that the buildings analysed bear the characteristics of organic architecture and reflect the relationship between human spirituality and nature. In them, architecture becomes a means of expression that is accentuated by the spiritual element of art.

A Multiple Teaching Model for Chinese Culture Integration in English Translation Courses with Multiple Data Chain Networks

Abstract This study investigates how to integrate Chinese culture into English translation courses in a multidata chain network environment to develop a multifaceted teaching model, enhance students’ cross-cultural communication skills and cultural understanding, and improve the effectiveness of English teaching. Neural networks and regression models were used to extract and analyze the artistic elements, and the design and implementation of an English teaching model based on cultural integration were studied. The results show that through the “five lines of integration” teaching mode, the effective combination of culture, knowledge and literacy is realized. The comparative analysis before and after the teaching shows that the mean value of the students’ English scores is increased from 85.204 to 94.568, which indicates that the teaching mode effectively improves the students’ English proficiency. In addition, correlation and regression analyses further confirmed that cultural support, teacher support, course quality, academic performance, and student satisfaction significantly positively affected teaching effectiveness. This study proves the effectiveness of integrating Chinese culture into English language teaching and provides new perspectives and methods to improve the quality of English language teaching.

Principles and technologies of historical structures consolidation, case study of Banloc castle complex

Historical monuments (palaces, churches, protected urban areas, so on) are integral part of the national cultural heritage which need activities and measures to protect them. The Banloc complex, located in the west of Romania, encompasses five buildings: the castle, the hunting pavilion, the kitchen, housekeeper house, and the stall. This study involves historical, architectural, structural and physical-chemical investigations with the aim of finding the correct restoration solutions, in good agreement with the Venice Charter, respectively the Nara Charter. Being affected by time and by the seismic sequence (Mw 5.6), the restoration of the building is absolutely necessary for recovering the functionality, structural solution and highlighting the artistic elements. Some analytical techniques, as: X-ray diffraction (XRD), Wavelength Dispersive X-ray fluorescence (WDXRF), optical microscopy (OM), and zoom microscopy, Infrared spectroscopy Fourier Transformed (FTIR), and Raman spectroscopy, have been used in this paper in order to clarify the main aspects about the structure, composition and morphological of the samples collected from Pavilion building. The oxides composition, and the possible organic impurities has been identified by WDXRF amd FTIR/Raman spectra, respectively. The microscopy images revealed the colours, fissures, cracks and even holes due to the time weathering processes, and damages they suffered in time.

A arte da fotografia na China: algumas observações sobre sua conotação estética

Abstract: Photography, as a tool, mainly presents the relationship between people and objects through the use of artistic elements, such as light, shadow and color in images. The creation of photography is an activity that requires inspiration and skills. It requires photographers to carefully and deeply observe and think about the overall structure of the work, in order to take good photos that are both artistic and thoughtful. The development and popularization of photography in today’s society cannot be underestimated for their impact on public aesthetics and humanistic thinking. This paper aims to analyze the aesthetic connotation of Chinese photography and explore its aesthetic standards and values. The philosophical thoughts in Chinese photography are explored, and their reflections and perspectives on life and society are analyzed. The relationship and mutual influence between aesthetic connotations and philosophical thoughts in Chinese photography are explored, and their significance and influence on photography works are analyzed, so as to better understand and appreciate the uniqueness of Chinese photography. Chinese photography is a unique and diverse form of artistic expression that reflects China’s rich cultural heritage and social development. By emphasizing harmony, the integration of painting elements, storytelling and appreciation of nature, Chinese photography provides a profound aesthetic experience and conveys deeper meanings of unity, tranquility, and the relationship between people and the environment.

Embodiment of digital art elements in traditional cultural and creative product design based on virtual reality technology

Abstract Design and culture are more and more intertwined and complementary. The current state of cultural and creative products is characterized by a lack of a combination of artistic elements and modern design. Traditional cultural and creative products that incorporate digital art elements are designed by this paper using virtual reality technology. Computer technology is used to generate a virtual environment, combined with VR tools to interact with the virtual environment, reproduce three-dimensional objects, and generate three-dimensional images by using mathematical pathways for image visualization. The digital art elements in the image are extracted by K-mean clustering algorithm, and the extracted elements are output to the element adjacency matrix to realize the visual display of the matching and proportion of digital art elements. By combining the methods above, it is proposed to extract digital art elements from traditional cultural and creative products. After market research to understand the crowd’s preference for cultural and creative product design, as well as analyzing the application of digital elements in cultural and creative products, the design effectiveness is analyzed. The research results show that people pay more attention to decorative and living cultural and creative products, the number of people who pay attention to them is 78 and 83 respectively, and the standard deviation is 26.674 and 31.064. The content of dynamic and interactive elements is the highest among the 6 kinds of digital art elements, which is 113. The cultural and creative products designed in this paper contain more digital elements, and the results achieved are better.

Research on the Application of Art Elements in Drama, Film and Television Performing Arts

Research on the Application of Art Elements in Drama, Film and Television Performing Arts

Exploration of the Integration and Innovation of Digital Art Elements and Traditional Cultural and Creative Designs

Abstract Combined with the modern development form of traditional cultural and creative design, this paper proposes to use digital art elements to assist traditional cultural and creative design. The symbols of cultural and creative design are extracted using digital-assisted design technology, and the grayscale image extraction method is chosen to process the images of cultural and creative design. Then, combined with the YOLO v3 algorithm, CMT algorithm, and spatial mapping to realize three-dimensional tracking of real objects and real-time tracking interactions in mixed reality, adding digitally assisted experience of cultural symbols. With that, the theoretical model of digital art elements and traditional cultural and creative design is designed, and the procedural method of the entire cultural and creative design is analyzed. Online shopping consumer evaluations are selected, high-frequency words are classified, and consumers’ emotional tendencies are analyzed as well. The comprehensive scores of digital art and cultural and creative products are calculated using sense-quality evaluations. Consumers’ positive and negative emotions accounted for 75.72% and 17.49%, respectively, with the general negative emotion field accounting for the highest proportion of 10.54% and the medium and high negative emotion fields accounting for a lower proportion. It can be seen that the response of digital art elements to the cultural and creative design market is better, and its innovative design has a certain consumer market.

Traditional Cultural and Creative Product Design Methods Combining Digital Art Elements

Abstract As a mode of perpetuating and revitalizing traditional culture, cultural and creative products have garnered widespread affection and recognition from the public. In the context of evolving societal trends and advancements in science and technology, the digitization of traditional cultural and creative products has emerged as a prominent trend. This study undertakes the digital design of these products, primarily focusing on the innovative application of a style transfer algorithm to traditional motifs, supplemented by their visualization through digital platforms such as augmented reality (AR) and virtual reality (VR). Furthermore, it facilitates intelligent consumer interaction via gesture recognition algorithms, thereby enhancing user engagement and experience. During the implementation phase, this research conducts comparative analyses of style transfer and gesture recognition within digital cultural and creative products. It also employs the Kano questionnaire to categorize and analyze user needs effectively. Notably, while the recall rate of the style transfer algorithm documented in this study remains below 0.9, it consistently achieves high precision, significantly enhances feature extraction capabilities, and improves the quality of the style transfer effects produced. Moreover, the static gesture recognition algorithm achieves an impressive average recognition rate of 98.2%. The dynamic gesture recognition algorithm, meanwhile, maintains an average recognition rate of 94% with a processing time of 3.2 seconds, balancing the demands of real-time interaction and accuracy effectively. This study systematically analyzes the significance of each requirement element across six dimensions, classifying customer needs for digital cultural and creative products into four distinct categories. Additionally, it delineates a viable pathway for the integration of digital art elements into the design of artistic and innovative products, setting a foundation for future innovations in this field.

Research on the Application of Artificial Intelligence Technology in the Digital Processing of Traditional Visual Art Elements

Abstract The digital era has brought unprecedented convenience and prosperity to art design. This project develops the application of artificial intelligence technology from the digitalization process of traditional visual art elements in two dimensions: image enhancement and image recognition. Combining the quantile algorithm and adaptive gamma correction technology, we have designed an image enhancement method based on AGC-Quantile for traditional elements. Based on the classification model of the MobileNet network and the target detection model based on YOLOv5, the traditional element image recognition model is proposed. Traditional element images containing multiple types of tattoos are selected as experimental objects, and the actual performance of this model is investigated through algorithm comparison and evaluation index analysis. The AGC-Quantile method processes different tattoo images with high quality and outperforms the comparison algorithms in different indexes (MSE>17, PSNR>23, and SSIM>0.82). The classification model based on the MobileNet network and the target detection model based on YOLOv5 is proposed to enhance traditional element images. -YOLOv5 has a classification accuracy and target detection accuracy of 83.2% and 87.6%, respectively, and improves 65.82% in time. According to the experiment, the AI-based model constructed in this paper has superior image enhancement and image recognition effects and can be utilized for the digitization of traditional visual art elements.

Application and construction of traditional cultural and creative product design platform based on digital art elements

Abstract In recent years, using digital platforms as a carrier to promote the development of cultural and creative products has become a new trend in cultural and creative industries. After analyzing the application of traditional cultural and creative product design platforms, the study mines the audience comment text of traditional cultural and creative products based on the improved TF-IDF algorithm, logistic regression and sentiment analysis algorithm to analyze the consumer’s concern elements and sentiment tendency. Then, the user demand elements of the traditional cultural and creative product design platform are summarized, and the types and priorities of the user demand elements are determined by combining the questionnaire survey and the Kano model. The traditional cultural and creative product design platform is constructed on digital art elements and the platform’s system architecture design is carried out on this basis. Consumer satisfaction is supported by the attributes and services of traditional cultural and creative products. With the best performance in terms of services, the proportion of positive emotions is 90.64%, but there is still room for improvement in packaging, price, and design. The priority of user demand elements was determined, with service perceptibility, service process, and content being the important levels of demand. Based on the research needs of typical users of the platform, the construction of a traditional cultural and creative product design platform based on digital art elements has been realized.

فنّ السّيرة الذّاتية من خلال الأيام لطه حسين والولد الأسود لكمارا لاي دراسة وصفية تحليلية مقارنة

This article addresses the question of the art of autobiography in Les Jours by Taha Housseine and in L’enfant Noir by Camara Laye. To achieve this objective, the study is intended to be analytical, descriptive and comparative. Thus the results of the study indicate that scholars, writers and historians have paid great attention to the Arab and Islamic heritage for a very long time, from the first century AH to the present day. They recorded the biographies of their great scholars, their famous personalities and their prophets in all the arts of science and knowledge, and in all areas of life in general, whether political, social, intellectual, heroic or otherwise. The artistic elements that characterize modern autobiographies are in most cases literary elements, and most of what the Arabs wrote about themselves was formulated in a clear, easy-to-pronounce, well-formed style, based on a precise brevity, characterized by smooth narration and storytelling. These are almost the same artistic elements that are present in the chosen autobiographical works

젠트리피케이션 지역의 예술 요소와 지원정책에 관한 연구

For the study of art elements and support policies in the gentrification area, cases of gentrification in various cities were collected and the progress of gentrification by region was tracked. Additionally, the study focused on art elements and support policies in the gentrification area, changes in the role and consciousness of art in urban gentrification, and urban changes in art-oriented gentrification activation. Based on this, various policy directions at the individual community level reflecting the characteristics of each city and region were studied and analyzed. As a result of the study, art elements and support policies are expected to have a positive effect on mitigating side effects in the gentrification area and protecting the community. Therefore, this study emphasizes the importance of understanding the community and artistic elements and support policies, and will help local governments and related organizations develop and implement these policies. This study will provide an academic foundation for promoting desirable gentrification progress through an analytical approach to the relationship between the perspective of art and gentrification viewed by the local community.

Comparative Study of Japanese and Indonesian Panji Mask in Light on Fine Art Elements and Principles

Panji masks are one of the mask arts that originated in Indonesia and come in a variety of styles. One of the existing Panji mask styles is the Yogyakarta style, made of Pule wood and used in dance or theater performances. While in Japan, masks used in dance or theater performances, known as Noh masks, are made of cypress wood. Panji masks and Noh masks are long-standing cultural heritage arts. This study aims to identify and analyze the similarities and differences between the elements of art and the principles of art preserved in the Panji and Noh masks. A comparative qualitative method was used for the study. Library research, observation, interviews, documentation, and focused group discussions (FGD) were used to collect the data. Data processing and preparation, data reduction, data presentation, and conclusion drawing were all completed in stages. The results revealed similarities and differences between the Panji and Noh masks. Several principles are shared by Panji and Noh masks, including point elements, line shape, the principle of unity, balance, rhythm, proportion, and the principle of harmony. The line, field/shape element, color element, texture element, and emphasis principle are all different. These similarities and differences are due to a variety of factors, including the two countries’ geographical proximity (both on the Asian continent), as well as their history, customs, and culture.

공예 디자인 지원센터 프로그램 활용을 통한 지역 활성화 방안에 대한 연구

The craft design industry refers to tangible and intangible industries and contents that create economic added value by embodying cultural and artistic elements. It has been developed based on the traditional culture of the country and region. This study aims to suggest ways to create cultural values and revitalize local communities by utilizing these craft design activities. Currently, local communities have undergone rapid industrialization and urbanization due to rapid economic development and rapid growth, and these are expressed as urban environmental problems such as changes in social structure, reduction of exchange, and absence of community activities. In particular, after COVID-19, the concept of community has declined, and life centered on social relations is changing. Therefore, this study analyzes prior research on the operating system of the Crafts Center, which operates craft design programs, and presents a systematic activation plan focusing on the support direction and operation program. This is significant in contributing to the improvement of the quality of life of isolated or unstable local members while playing a role in raising awareness of the cultural industry through craft design and expanding the network of local communities.

Research on the Application of Artistic Elements in Plastic Packaging Design Based on the Vision of Multivariate Statistical Analysis Inheritance

Abstract Characteristics with humanization and cultural heritage have become a new trend in plastic packaging design, and the integration of traditional art elements can effectively help complete the design. In this paper, the image of traditional culture and art is segmented and processed, and the description of regional significant values is realized through the multivariate statistics of regional features, and the constituent elements of art images are analyzed from different features. After extracting elements statistically, the traditional style migration of art elements is completed using a VGG network. To address the issue of slow optimization calculations during the iterative process, an offline model is used to achieve fast migration. In practice, the dynamic set ArtEleData is constructed based on the art and culture images of some ethnic minorities, and the evolution of the main elements such as clothing, food, shelter, and passages is studied, and the effect of the plastic packaging design using the above elements as the migrating body is measured. The color composition of the migrated art elements is the same as that of the plastic packaging design generated in this paper, with a small difference in the color ratio, and the average difference of different colors is 0.541. Among them, “12G” has the highest similarity in color moment characteristics, with a color moment of 0.00569, which proves the effectiveness of the migrated design of the art element packaging. This proves the effectiveness of the packaging migration design for artistic elements.

LIGHT IN THE WORKS OF GIACOMO BALLA IN THE PERSPECTIVE OF LIGHT ART GENESIS

The article is devoted tо the specific question in Russian art history – to the problem of light in the works of J. Balla from the perspective of Light art genesis. The insufficiently researched genesis of light art .in Modernism and Italian Futurism is followed by the incomplete understanding of phenomenon. This circumstance requires an appeal to the historical roots of Light art, particularly, to the period when artists started including artificial light into the practice of fine art and started using it as a medium.
 As a result of the research in the art of J. Balla the genesis of Light art has been revealed. The article examines the consistent change in the approach to light in the main futuristic manifestos and works of art. In Balla’s paintings of the 1910s, light was used as an image and element of art, while in plastic complexes and scenography of the theatrical production “Fireworks” it was used as a material (medium). The ballet “Fireworks” is proposed to be considered as prototypical work of light art. The results of the study can be used in the art historical research and cultural analysis of the history and modernity of light art. The research methodology is based on the art historical analysis of texts and works of art, as well as on the comparative method.

Geometrics in the illumination of Terengganu Quran manuscript (L.M.N.T 2002.1)

This article aims to identify the basic geometric structures found in the illumination of the Terengganu Quran Manuscript (L.M.N.T 2002.1) collection. The study focuses on the appreciation of art, employing a formalistic approach to visually examine the evident basic geometric structures present in the illumination of the Quran Manuscript (L.M.N.T 2002.1). The research methodology involved observing the illumination of the Quran Manuscript (L.M.N.T 2002.1) and analysing the basic geometric structures based on formalistic aspects such as elements of art and principles of design through formalistic visual analysis using Adobe Illustrator software. In general, the illumination image displays the shape of a rosette or medallion. This character is also viewed from the perspective of cosmology, whereby it is a resemblance of a glowing star and the shining sun. This is appropriate with the concept of lighting or Shamsa. The findings of this research indicated some views on basic geometry in the illumination of the Quran Manuscript (L.M.N.T 2002.1) as an introduction to new knowledge in the field of art in general.

DEVELOPING THE AESTHETIC CULTURE OF THE FUTURE SOCIAL PEDAGOGUES THROUGH THE ART OF VISUAL REPRESENTATION

The evolution of pedagogical methods necessitates a shift toward cultivating an aesthetic culture in social pedagogues, particularly through the art of visual representation. This article explores the imperative role of visual arts in shaping future social pedagogical practices, emphasizing the development of an aesthetic sensibility within educators. It delves into the conceptual framework, examining the correlation between visual literacy, pedagogy, and societal transformations. Embracing the multifaceted dimensions of visual representation, this work elucidates the significance of integrating art forms into pedagogical strategies. The article aims to foster a comprehensive understanding of how cultivating an aesthetic culture among social pedagogues through visual artistry can augment their efficacy in nurturing dynamic, socially conscious individuals. This article navigates through established theoretical frameworks, drawing on extensive research to underscore the pivotal role of visual representation in shaping the future of social pedagogy. It strives to unravel the intricate relationship between visual arts and pedagogical methods, emphasizing the transformative impact of infusing educational approaches with artistic elements. Ultimately, this integration aims to nurture socially conscious, critically reflective individuals capable of navigating the complexities of the contemporary world.

Intelligent Design and Application of Traditional Cultural and Creative Products Based on Digital Art Elements

Abstract Cultural and creative industry is one of the main fields of digital art element design, and this paper utilizes digital art design for visualization programming of cultural and creative works. Through the three elements of 3D model, registration method and animation composition, the intelligent design process of AR cultural and creative products is defined, and the editing process of AR cultural and creative products is sorted out on this basis. Construct the model of cultural and creative products containing digital art elements, solve the problem of inconsistency between the coordinates and the model network appearing in the modeling, and then carry out the back-end design processing for AR cultural and creative products editing, which constitutes the whole back-end module through real-time methods and multiple trigger events. Through the method of empirical analysis, the feasibility of adding digital art elements to cultural and creative products, the consumers’ willingness to purchase cultural and creative products, and the innovation performance of cultural and creative products are analyzed. In the test of the moderating effect of the intelligent design of digital art elements on the cultural and creative products, the performance of the cultural and creative products improves synchronously with the embedding of the digital art elements, and the mean value finally stays at 0.375, and all the straight lines are above zero.

The Embodiment of Digital Art Elements in Traditional Cultural and Creative Product Designs

Abstract In order to extract the image path of traditional cultural and creative items, we set the binary image target of such products to be black and the backdrop to be white in this research. We followed the use of image vectorization processing technology. In order to address the issue of edge jaggedness in the traditional cultural and creative product image path extraction process, polygonal contour fitting is utilized to optimize the image paths of these products, resulting in the creation of a vector map of these products. The PCA point cloud alignment technique is used, based on the vector map of traditional cultural and creative products, to identify the attributes of these items and build a model of their traditional cultural and creative product design that incorporates digital art. After choosing dependent and independent variables, traditional cultural and creative product design, including digital art aspects, is studied and analyzed using linear quantile regression. The findings demonstrate that all of the value-added ratio’s coefficients are significant and bigger at the 0.2 and 0.95 quantile points, suggesting that raising the ratio can aid in the merger of digital art and more established creative and cultural sectors. The medium (M=3.586) and small standard deviation of the traditional cultural and creative items incorporating digital art suggest that the use function and cost-effectiveness of these products have a stronger influence on purchase motivation. This research encourages the fusion of digital art components with conventional cultural and artistic output in order to give traditional culture a fresh lease of life in the information era.