Using artist-plastic world as one of the known methods of using sculptural plastic in the architectural environment

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Given the aspects of the interaction of architecture and sculpture, the article considers the relevance of the problem in solving the problems of the relationship of sculptural plastic and the urban environment.It is established that architecture and sculpture form a variety of architectural and plastic compositions, and the interaction of two plastic arts lies in this specific expressiveness of direct connections. The problems of the loss of interconnection, the disappearance of the compositional integrity of two spatial plastic arts - architecture and sculpture are considered. It was found out that the sculpture gradually begins to exist quite independently of architecture, despite the fact that it is designed and placed in a specific architectural environment with certain signs and should form a single spatially plastic composition with architecture. The article established that neither painting, nor sculpture, nor any of the plastic arts can enter into synthesis with architecture within their own means of expression. These means should have certain features that have much in common with the means of forming the architectural environment. In practical works and theoretical works, it is investigated that works of art acquire common features, entering into a synthesis with architecture, a new character of public perception for them and other social significance. The following is formulated: interaction and unification of artistic means that belong to different types of arts, with the aim of creating a single artistic complex (ensemble) in the architectural environment - is a synthesis of art in architecture.It is determined that the depth of themes and images differs in the ideological and artistic content of works of art in synthesis with architecture. It is substantiated that the specificity of the ideological and artistic content determines the form and means of expression of such works, they differ in the generalization of plastic images, the desire for strict selection of the most characteristic, avaricious detailing, which often have symbolic and allegorical meaning.