Use of suprematism elements in modern design

Abstract

The article considers suprematism as a stylistic direction of design, its preconditions for origin, authorship and historical aspects. The analysis of the latest research and publications in this direction is carried out. This definition of suprematism as a separate direction in art of the early twentieth century that, as a kind of abstract art, embodied in combinations of colored planes of simple geometrical shapes (geometric forms of straight line, square, circle and rectangle). It was found that balanced asymmetric suprematic compositions were formed when color geometric shapes of different sizes were combined. The author outlines the main philosophical idea of the style as defined by the author of suprematism Kazimir Malevich, which consisted in the final break of painting with the image of the real world, when geometric shapes replaced the real type of objects, to emphasize the emotional impression of the image. Presented by followers of suprematism in art. The main features of the suprematism style, its practical and philosophical significance, and symbolism are established. It is noted that the features of the supremacist style are used in almost all areas of design: architectural design, clothing design, interior design, printing design, accessories design, landscape design, food design, etc. the color scheme, shapes and lines that were used in the supremacist painting are characterized. Examples of decorative and functional use of signs of suprematism in interior design and clothing are given. The results of the study of ways to use elements of the suprematism style in modern design are considered. The relevance of using supremacist elements in the design is proved, thanks to its minimal semantic load and bright accents.