The Stylization of Art and Mysticism in the Context of Bangladesh

Abstract

The purpose of this paper is to create a new field in the philosophy of art in context of Mysticism which expanded in Bangladesh especially in contemporary modern art. Here the relation between Art and philosophy will be also discussed. How different philosophical ideas and theme impacted on art and artist in various periods and isms will also be focused. Moreover the thought process of an artist is usually derived from the social surroundings, cultures, norms and by the view point of their religion will be also focused here. In this paper the bridge between art forms and artists and the impact of mysticism will be described elaborately. The main issue of this paper is to clarifying that mysticism can be a new form or new style of visual art and can be transformed in painting. A new style or ism can be mode of formation from the mystic verses of Sufism widely expanded in Bangladesh.