Abstract

This paper delves into the theme of "Own Space" in Sandra Cisneros' novel, The House on Mango Street. It scrutinizes how the protagonist, Esperanza, navigates the complex concept of home and belonging in a Hispanic neighborhood in Chicago. Drawing from the theories of spatial belonging, patriarchal constraints, and feminist perspectives, the paper highlights Esperanza's quest to carve out her unique space within the constraints of her environment. The use of vignettes as a literary device is explored, demonstrating how they provide insights into Esperanza's evolving identity and the challenges she faces in defying gender roles and societal spatial practices. In addition, it underscores the importance of space production theory, highlighting the role of vignettes in immersing the reader in Esperanza's coming-of-age journey. Ultimately, it argues that Cisneros' narrative style and Esperanza's experiences reflect the broader context of the Chicana experience, making The House on Mango Street a significant contribution to the discussion of cultural identity, gender, and space.

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