Abstract
Abstract This article charts the historical and literary origins of the schnorrer, a Yiddish term for ‘proud beggar’ and a character of Eastern European Jewish culture. It aims to shed light on the schnorrer's entrance as a protagonist in British popular literature in the work of Israel Zangwill, and to show its originality. To do so, it focuses mainly on the novella The King of Schnorrers (1894), in which the schnorrer holds the leading role, and on Children of the Ghetto (1892), in which the schnorrer is a secondary and yet essential character. By locating the schnorrer outside of the Ashkenazi ethno-social context, Zangwill carries out a refashioning of this figure and grounds him in a wider social and literary lineage. He turns him into a literary character who challenges Western capitalist societies, thanks to a multi-layered identity, conflicting contexts and plural literary genres.
Published Version
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