Abstract
The two essays gathered here, devoted to the characters of Turandot/Būrān-dukht and Farhād respectively, represent two parallel upshots of a stream of research focusing on the transformation of historical or semi-historical figures into literary characters. The research moves from literary characters and their possible historical or legendary origins, to un understanding of their literary function in Persian literature.
Highlights
This study aims to investigate the origins of the character of Farhād, starting from a brief review of the sources referring to him and the hypotheses put forward concerning the birth of the character and his name
Unlike other more or less historical characters of the Persian narrative tradition, Farhād is unknown to the Byzantine, Armenian, and Syriac sources, as well as to the Shāhnāma and the earliest Arabic texts
In the romantic narrative tradition, in the poems by Niẓāmī, ʿĀrif Ardabiīlī and Hātifī, Farhād is the carver of one or more channels, and in particular the carver of a channel, commissioned by Shīrīn, to bring the milk from the high mountainous pastures to her castle, the famous Qaṣr-i Shīrīn – Amīr Khusraw, places Farhād’s channel in the area of Mount Bīsutūn. ʿĀrif does speak of the famous channel for milk, and of a number of channels for carrying wine, that Farhād constructed for Shīrīn
Summary
– 2 The Backdrop of the Character and His Name. – 4.1 Ṭāq-i Bustān and the Master in the Romantic Tradition. – 4.2 Ṭāq-i Bustān and the Master in the Historical and Geographical Tradition. – 5 Farhād as a Constructor of Channels. – 7 Farhād as Enamoured of Shīrīn. – 8 Farhād as a Foreigner: His Social Status and Fatherland.
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