Abstract
In 1956, le bal, i.e. new forms of French-inspired music and dance were introduced among the Baga Sitem of French Guinea at a time of global youth consciousness. At the time, the youths fell fascinated by the new instruments and bodily languages of le bal, but their elders, much more attached to local forms of music and ritual dance, did not want to accept the new one in the public sphere. Based on oral history, this article discusses the tension between youths and elders and proposes a generational and structural approach to the study of youth and modernity, suggesting that the tensions between youths and elders, and between new and old forms of popular culture may be much more ancient than normally assumed.
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