THE INSTRUMENTAL PHENOMENON OF TROMBONE IN EUROPEAN MUSICAL PERFORMING ART

Abstract

The purpose of this exploration is revealing of some characteristic, maximally peculiar features for artistically expressive, constructional nature of trombone, as the more unique, universally perfective instrumental phenomenon in the sphere of European musically performing art. The target of this denoted disquisition is also popularization of professional orchestra, ensemble and solo playing trombone in synthetic nature of modern postmodern culture. Methodology represented the scientifically investigative work is formed by author into applying of historical, comparative, axiological and structurally analytical research’s methods. The empirical methods such as association and generalization acquire the important significance. The appeal to structurally functional method in the process for studying of denoted theme has particular importance, because the role of instrument, its functional meaning in definite culturally historical period is lighting the instrument’s artistically singular traits. The scientific novelty of this investigation is conditioned by the view to biggest historically retrospective observation of the trombone’s evolution with the simultaneous detection its uniquely natural, perfectively universal constructional and artistically expressive qualities, possibilities for reflection of ideally imaginative content in reference to professional musical compositions. Conclusions. The naturally formed into constructional perfective specificity the technique of playing trombone established fundamental bases concerning universality of the instrument in duration all the period of its existence. The unrestricted, maximally closing to vocal performing the artistically expressive means of trombone in the all culturally historical periods for widest development of musical art is generated by natural capability for chromatization of sound scale on the all trombone’s diapason, in result applying the specific connecting line mechanism.