Abstract
It is well known that cinema has one of the important roles in shaping the worldview of a person and culture with certain features. For this reason, the development of the young generation's ability to perceive works of art and the formation of their aesthetic views, as well as timely and effective satisfaction of the emerging needs, is of particular importance. In this sense, it seems more relevant to show not only the graphic row but the full-fledged images in films. When analyzing and interpreting images based on the achievements of modern cinematography, recognizing each film as an integral system, as well as the role of the image in the system of the constituent components of the film should be established on the basis of dialectical philosophy and dialectical categories and laws of logic. Although the image is a general category for all types of art, its analysis and interpretation require a special approach based on the specifics of each type.
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