Abstract
The article analyzes the play by E.-E. Schmitt’s “Tectonics of Feelings” in the paradigm of “conversational theater”, which has become quite popular in France since the 80s of the 20th century. “Conversational Theater” continued the traditions of absurdist and avant-garde theater, with a tendency to turn to linguistic experimentation, changing the language of the stage, which is still relevant in our time. The dialogue in the talking theater is actually an action, a new way of understanding reality, where the space of action is expanded thanks to the language experiment, illusions and reality are mixed, the conflict is based on a remark that further explains the break in the relationship between the characters, it is also resolved in the dialogue. The psychological portrait of the characters is revealed not in situations and actions, but in speech, which gives the play theatricality.
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