Abstract
In the summer of 2005, I moved from a working-class suburb to an urban area to attend high school. Perhaps driven by a sense of estrangement from my new living environment, the elite class, and my new neighbours, wandering the streets became my favourite after-school activity. Walking, wandering and photographing, the ambulatory state akin to that experienced by Baude-laire's flaneur, served as a shelter to store my nostalgia. From unfinished buildings and damaged spots to scaffolding, I was attracted to construction sites, finding my gaze exploring the roles they play in the urban environment.
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