Abstract
Since Muhammed Riza Pehlevi's dynasty, (1940-1977), especially between 1958- 1978, we are witnesses to effording to form identity by Iranian painters in Iranian painting as in other areas of the arts. Hossein Zenderoudi and Faranarz Pilaram are the rst examples we can give. The early 1960s, intense discussions were made on the identity in the elds of art and in this context, artists have tried their rst products in traditional trends. These traditional trends gaves the rst fruit as Saghakhane School. While Sadegh Tabrizi's miniature, Masoud Arabshahi's Ornamental interactive experiments were going on, in parallel with the inuencing progress of the artists of abstract expressionist art, the classical understanding of Calligraphy in Iran, ornaments and decorative surface and creating an image of the carpet-rug patterns are seen in the effects. Traditional trends which was appeared as a formal and internalized in the following process and affected on creations of young artists' generation after 1970 period.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
