Abstract

This article examines the traditions of the Kazakh people in ancient woodcarving. It is about the semantic interpretation of the art of ornamentation and its significance in history. The composition of wooden interior furniture includes bed linen, pillows made of wood, dzhukayak, kebezhe, sandyk, abdire, yaglan, uldyryk, abazha, as well as a technique (method) for processing household utensils. Historical background, philosophical understanding of the symbolic meaning of each line of the ornament, indicated against the background of the object of artistic value of wooden products. This article is also important for understanding the genesis of the entire Kazakh traditional art of wood carving, as well as the evolution of ornaments, the general art of weaving (carpet weaving, jewelry made of wood, bone, etc.). It has been scientifically analyzed that home furniture and household appliances represent a holistic system entirely based on stylistic composition.

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