Abstract
This article is the result of a typical Palembang wood carving work. Starting from the increasingly few antiques in the antique gallery owned by Ibu Hj's family. Roswati made him intrigued to grow and develop his business since 1974 and to preserve the carving art furniture in the form of Palembang wood carving. Then continued by a similar craftsman in the Home Industry Q Laquer owned by Mr. Jaja is a typical Palembang wood carving art craftsmanship in Kelurahan 19 Ilir. The purpose of this research is to find out and describe the process of making Palembang's unique wood carving arts. The research method used is a qualitative descriptive method using data collection techniques of observation, interviews, and documentation. The types of decoration in the wood carving art are the decoration that characterizes the city of Palembang as from the motifs of plants with golden, black, and red patterns. The variety of wood carving that is applied to handicraft objects is basically a pure decoration, which functions solely to decorate or beautify. The results of typical Palembang carving crafts include decorative cabinets, chairs, tables, wardrobes, frames, and various kinds of furniture. Through this research by examining how Palembang wood carving art in particular the manufacturing process, is expected to contribute to the people of Palembang City in order to develop and preserve these cultural assets.
Highlights
Artikel ini merupakan hasil penelitian karya seni ukir kayu khas Palembang
This article is the result of a typical Palembang wood carving work
The types of decoration in the wood carving art are the decoration that characterizes the city of Palembang as from the motifs of plants with golden, black, and red patterns
Summary
Ukiran atau seni ukir telah dikenal sejak jaman prasejarah, yaitu dengan ditemukannya bangunan dan benda-benda berukir seperti kayu berukir, perahu berukir, ukiran pada bangunan rumah dan benda-benda lainnya yang menunjukkan lambang atau simbol penolak bala, mendatangkan kebaikan dan kemakmuran, perkembangan selanjutnya motif dan corak seni ukir berkembang dari masa kebudayaan DongSon dimana pada masa kebudayaan Dongson keterampilan seni ukir semakin beragam dan kemudian pada masa kerajanan Sriwijaya seni ragam hias muncul dan berkembang pada kain tenun, keramik dan sebagainya. Dalam hal tersebut berpengaruh hingga saat ini, dan menjadi ke khasan seni ukir Sumatera Selatan khususnya Palembang. Seni ukir berbahan kayu yang ada di Kota Palembang memiliki motif dan warna yang khas. Semua ukiran kayu khas Palembang bermotifkan flora atau tumbuhtumbuhan dengan cat warna emas, hitam dan merah tua, kayu yang digunakan adalah kayu tembesu. Penerapan ragam hias ukir kayu khas Palembang yaitu pada unsurunsur arsitektur (rumah limas), benda-benda kerajinan, dan perabotan rumah tangga. Ragam hias ukir kayu Palembang diterapkan pada bentuk kerajinan benda pakai seperti lemari, kursi, meja, kaca rias, dan benda pakai lainnya. Melalui penelitian ini dengan mengupas bagaimana seni ukir kayu khas Palembang khususnya proses pembuatannya, diharapkan dapat memberi kontribusi kepada masyarakat Kota Palembang agar bisa mengembangkan dan melestarikan aset budaya tersebut. Berdasarkan uraian di atas, maka peneliti berkeinginan untuk melakukan penelitian dengan judul “Seni Ukir Kayu Khas Palembang di Home Industri Q Laquer Kelurahan 19 Ilir Kecamatan Bukit Kecil Kota Palembang”
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