Musical dramaturgy as a creative method in jazz art: the example of the piano art by Sergey Davydov

Alina Kharenko

doi:10.34064/khnum1-55.11

Abstract

Musical dramaturgy as a creative method in jazz art: the example of the piano art by Sergey Davydov

Highlights

Jazz is one of the most significant phenomena of the entire twentieth century, which in a very short period of time has won the attention of listeners around the world
2019 ■ Вип. 55 ■ Проблеми взаємодії мистецтва, педагогіки та теорії і практики освіти 157 the principles of jazz musical dramaturgy from the standpoint of piano jazz art, which, in the author’s opinion, gives an opportunity to speak about the peculiarities of organizing a musical text with the texture of different types of arrangement
An example of this could be the creative work of the renowned Kharkov jazz pianist Sergey Davydov

Summary

Introduction

Jazz is one of the most significant phenomena of the entire twentieth century, which in a very short period of time has won the attention of listeners around the world. Many explores are interested in the study of jazz art as a significant element of the world’s musical heritage. There are a lot of works written by national and foreign musicologists who study jazz music from different viewpoints. Focusing mainly on the identification of specific methods of using individual elements of the entire complex of music and expressive means of jazz art, scientists are less interested in the study of more «in-depth» issues, such as interpretation in jazz art, form building, semiotic and hermeneuticmethods of jazz music evaluation, musical dramaturgy. The study of musical dramaturgy deserves special attention, because at its level the coordinates of jazz music as a complex improvisation process converge

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