Abstract
The purpose of this thesis is to comparatively study how Bulgakov's drama ‘Kabbalah of Hypocrites’ was staged during the thaw, and post-Soviet era. This study is an attempt to examine the essential meaning of staging a drama by studying how a drama text is transformed into a stage space through various directors and theaters at different times and performed. To this end, in this thesis, Efros's 1966 Renkom performance and two performances at the Moscow Art Theater, namely Yefremov's performance in 1988 and Tabakov's performance in 2001, were presented as 'the main character' compared and analyzed the shape of Molière. This thesis, which studies how a work was staged at different times, socio-political environments, and by different directors, suggests that it can be actively used in the methodology of studying dramas' staging.
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