Abstract
The purpose of this study is to shed light on the sound environment of the area around Myeonangjeong Pavilion in Damyang in the 16th century through the analysis of the soundscape shown in Myeonangjeong Samsipyeong, and to consider how poets recognized and expressed it in various ways. Excluding the cases where the title already includes the soundscape element and the same element is repeated in the poem, the soundscape element appears a total of 36 times in these poems, and among them, natural sounds were absolutely numerous in 28 times. The sound of wind (15 times) and the sound of water (9 times), which showed the highest frequency, are the dominant sounds that are constantly and evenly heard in these poems, and can be said to be keynote sounds of the region. Because of its comfort and harmony with other sensory environments, this soundscape is accepted as an ideal sound environment for poets. This soundscape, in terms of focus and clarity, is characteristic of a hi-fi environment where the ground can easily be inverted into the figure and individual sounds are heard very clearly.
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