Abstract
Yu Hua’s works have consistently excelled in exploring the fundamental meaning of life within tales of hardship and tragedy. Through a series of books such as To Live and The Seventh Day, Yu Hua has crafted multiple tragic stories featuring characters from different historical periods and with diverse personalities, thereby expressing his unique perspectives on life and death. The existing studies mostly analyze the life and death plot in isolation and lack an analysis of the influence of traditional culture on the formation of their concepts. This paper will take the original texts of the novels To Live and The Seventh Day as the basis, and use the method of textual analysis to analyze the views of life and death in the novels. Through the study, it is found that Yu Hua’s works present a unique new style of death aesthetics and life philosophy concepts. Through the research, it is discovered that Yu Hua’s works exhibit a unique new aesthetic of death and philosophy of existence. Yu Hua, a trailblazer in avant-garde literature, integrates traditional views on life and death with contemporary societal concerns. Through an exploration of the fragility of human physiology and the resilience of the human spirit, Yu Hua’s works offer a fresh perspective on life and death for individuals grappling with existential uncertainties. This aids in guiding individuals to seek the significance of their own lives and adopt an objective stance towards mortality.
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