Abstract
This article is a survey of the process of development of the musical creativity of Chinese composers who studied in the USSR during the founding of New China. The prehistory and factors of cultural and educational Chinese-Soviet relations, the specifics of the professional training of Chinese musicians and composers in conservatories and universities of the USSR are revealed. The key component of the analysis is the culture of creativity and artistic thinking of Chinese composers-musicians of the 20th century, who received their musical education in educational institutions of the Soviet Union.
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