Abstract
The purpose of the research is to reveal the methods and means of popularising the art of kobza and bandura in the conditions of strict censorship of the Soviet reality, educating professional musicians and patriots of their country in opposition to the communist ideology, using the example of the life and work of the outstanding figure of Ukrainian culture Anatolii Hrytsai (1 January 1931, Zhovtneve village, Koropskyi district, Chernyhiv region – 12 September 2003, Rivne). The research methodology is based on the use of a number of methods, including systematic and analytical, as well as historical, biographical analysis, and generalization methods. The scientific novelty of the study is based on the specification of specific regulations and facts of the life and work of A. Hrytsai. Conclusions. The study analyses the memories of A. Hrytsai’s students, colleagues, and friends, his poetic and compositional works, the formation of the bandura solo and ensemble repertoire, the comparison with similar examples of other musical genres, the use of kobza traditions in performance practice, and pedagogical achievements.
Published Version
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