Violin concerto principles as a way of musical thinking: semantic discourse

I.O Uspenska

doi:10.34064/khnum1-56.11

Abstract

Violin concerto principles as a way of musical thinking: semantic discourse

Highlights

The history of concert music, separated from ritual and other non-musical functions, is closely connected with the art of violin
The object of the research is a concerto principle of musical thinking in violin music; the purpose of the study is to identify the features of the phenomenon of concert in the system of music genres with the participation of the violin
The semantics of violin concerto is revealed in two meanings, concentrated in the components of this phenomenon

Summary

Introduction

The history of concert music, separated from ritual and other non-musical functions, is closely connected with the art of violin. The violin was the leading instrument of the Baroque concert style, the examples of which are still unsurpassed. Despite the large amount of research on the formation and varieties of violin style, the concept of “concert” in combination with the concept of “violin” has not yet been considered separately, which determines the relevance of the topic of this article. The object of the research is a concerto principle of musical thinking in violin music; the purpose of the study is to identify the features of the phenomenon of concert in the system of music genres with the participation of the violin

Objectives

Results

Conclusion