Abstract
From plurilingualism to the gesture of translation, this essay proposes a comprehensive reading of distinct glotopolitical crossings in literary writing. I revisit the works of writers whose practice is structured by a linguistic overlapping, as well as by the political consciousness of the colonial hierarchies to which they are subject. Through essays by Jacques Derrida and Sylvia Molloy, I foreground the compositional processes of Latin American writers Copi and Alejandra Pizarnik as unavoidable landmarks of this creative in-between. From the transit between languages, I draw axes capable of guiding a systematization of these glotopolitical dimensions in literary creation.
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