Abstract
The article analyzes the genre essence of the piano Сoncerto presented through the prism of Russian musicological studies. The specifics of this genre are considered, its characteristic features are revealed, a panorama of scientific works on the piano Сoncerto in the works of Western European and Russian composers is presented. The conclusion is made about the development of scientific definitions of concertation, timbre personification, etc.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
