From the Neighbourhood of Firuzağa down the Rabbit Hole

Abstract

Intermediality is a term to investigate the dialogues between imaginative texts from various types of media. Being a product of postmodern discourse, it has a massive influence on comparative literary studies, in that analyses with regard to intermedial considerations reinforce the impact area of the examined texts. This article aims at analysing Alice’s Adventures in Wonderland (1865) by Lewis Carroll and Serial Cook (2017) by Ümit Ünal in order to show how an old canonical literary work demonstrates itself in a contemporary imaginative text on a cognitive level. It is obvious that artists build up such textual connections on purpose as well, but such an interaction achieved undeliberately, though the receivers of texts can never be confident, is another issue that requires attention. I argue that Serial Cook can be considered as a 21st century reception of AAW in that it exhibits certain aspects of Lewis Carroll’s style and content. It is apparent that the main character, Neslihan becomes a contemporary version of Alice in the face of a serial killer who has difficulties in adjusting to the mechanisms of the community she is part of. Throughout the movie, we see her relentless efforts to speak for herself and settle a new life. Furthermore, in both texts one can observe presence of dream imagery, which appears as an apparatus of initiation of both characters.