Doğum Günü Partisi: Bir pinter modeli absürt tiyatro

Abstract

Utilizing reasonable components in his plays, Pinter’s dialect is not confusing or surprising, but genuine-because of its unadulterated English dialect. The Birthday Party is Pinter’s second full-length play and one of the most celebrated plays categorized under the title of the Theater of Absurd. This masterpiece follows the dilemma in the dialogue between the main characters. Meg, Petey, and Stanley demonstrate the preposterousness with the embodiment of human identity under practical components, such as goodness. The play’s central theme is loneliness and explains the story of the reborn man who realizes that his life cannot continue in the boarding house. The Birthday Party is outfitted with all the sensible components of an impeccable diversion; genuine characters with genuine sentiments, unpretentious dangers, ghastliness fulfilled with an inevitable setting that accentuates to blend of the real world and drivel. In The Birthday Party, the solidarity in the real world is clearly described, and the absurdity of social status by the real characters is uncovered. The threats of exploiting the hearts and minds of postwar individuals have shocked them both physically and mentally. Individuals did not want to be exposed to the outside world while they were afraid of strangers in society. To be amusing, the play coasts the title of Men’s Comedy of Menace while battling with the genuine risk of exploring the focal character.