Abstract
AbstractA parallel relationship is drawn between trichromatic vision and photographic colour reproduction.The mechanisms of common photographic systems arc described in terms of the analysis of the spectral input and the synthesis of the output colour reproduction. The colour science of photographic images is reviewed. The objective evaluation of colour reproduction by colorimetry and sensitometry is discussed in relation to the colour gamut. The subjective evaluation of colour reproduction is introduced by an account of the examination of acceptability of colour prints as a function of colour balance. The relation between objective colorimetric colour differences and subjective assessment is shown using a suitable model of colour appearance in the generation of a colour reproduction index.
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