Abstract
This chapter covers modern stereophonic recording, beginning with a simplified analysis of how stereo works through the creation of “phantom images” and the effect of delayed signals at high frequencies. Topics such as coincident stereo microphone and crossed cardioid arrays are examined, as well as variations on X-Y and M-S techniques. Spaced microphone recording techniques are discussed, along with near-coincident recording techniques, such as Williams' summary of stereo spaced and splayed cardioids. The chapter concludes by covering mixed stereo microphone arrays and stereo listening conditions.
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