ARTISTIC COMMUNICATION AS A TYPE OF COMMUNICATION

Abstract

The article is devoted to the review of peculiarities of artistic communication, in particular, in dramatic works. Within the framework of the communicative theory, the dramatic text is interpreted as a special kind of linguistic expression in which the author addresses his intentions, and motives to the reader through communicative strategies and tactics. By defining a dramatic work as a text, a type of statement through which communication is fulfilled between the addresser and the addressee through the chosen communication strategies and tactics to achieve the pragmatic goal, we propose our own classification of communicative strategies. We distinguish two types of communication strategies: 1) a communicative strategy of experimentation with a form of dramatic text; 2) meaningful communicative strategy. After analyzing the given models of communication we can distinguish the following characteristics of communication in the dramatic text: the presence of the narrative as the basic category of the characteristics of the addressee; dialogicity, theatricality integrity, intertextuality, length in time and space, the ability to perceive, condense and transform information as a textual characteristic; game moment as a principle of reflection of reality in the text and perception of the addressee, the ability to interpret and create new meanings of the text. These characteristics take into account all components of the communicative act in the dramatic text and help to identify the communicative strategies of the text, since they determine the specifics of the works of Ukrainian playwrights of the nineteenth and twentieth centuries.