AESTHETIC ASPECTS OF IDEAL IMAGE IN THE PHILOSOPHICAL CONCEPTS OF RENAISSANCE

Abstract

The article analyzes the aesthetic aspects of the ideal as a reflection of the subjective concept within the philosophical concepts of Renaissance thinkers N. Kuzansky, M. Ficino, L. Alberti, L. da Vinci. The author considered certain aesthetic aspects in the context of the categorical trinity "ideal-beautiful-beautiful". This study can become the basis for the study of the Renaissance individual in terms of his active worldview of the essential and pragmatic basis of existence, having absolute vision, capable of creating ideal images. The relevance of the work is due to the interest in the study of this aspect of applied aesthetics both in our country and abroad in connection with the scientific development of the study of human capabilities. The purpose is to analyze and study the concepts of Renaissance philosophers to reveal the meaning of the trinity "ideal-beautiful-beautiful" in the context of actualization of the study of the ideal image at subjective-individual visual perception. Materials and methods. The method of research is comparative analysis; method of interpretation of scientific philosophical works; method of synthesis and analogy. Results. The works of Renaissance thinkers were studied in order to clarify the concept of ideal image. It is shown that ideal images materialize in the subjective space of an individual in objects, as their pragmatic value-oriented component is highlighted in a number of objects similar to it. The signs of the ideal or absolute in the object, which became part of the essential basis of objective reality in the Renaissance, are analyzed, the qualities of the person of this era are highlighted, and his ideality in the subjective space is defined.