Abstract
Language is not merely a vehicle for communicating thoughts. Indeed, it has always been an art medium in itself; mimesis: a form of social, creative activity, bringing joy to those who use it. Art and language are also intertwined on a variety of other planes. The concept underlying the connection between the two is no longer visible. It has been hidden by the passing of time, but deduction may shed light on it. Artistic and linguistic activities represent man’s most characteristic attribute, making us who we are. In a structural, functional, and metaphysical approach to art and language one can presume a close ontological (or anthropological) link between the two. The following phenomena all merit particular attention in the parallel evolution of art and language: ancient, undifferentiated forms of awareness, syncretism, ancient folklore, and basic forms, in which abstraction may already be observed. Art and language rely on the transfer of meaning, that is, the transfer of the meaning of concrete, specific signs to other referents by way of abstraction. The original syncretism is moved by fundamental processes and instinctive connections, such as rhythm, repetition, indexicality and iconicity. Language comprises movement, tune, song, and image. Isomorphy facilitates interoperability between phenomena, resulting in a cultural evolution based on biological evolution, involving accelerations and leaps, as in the process of evolution. Abstraction enables man to exercise dual encoding and create secondary modelling systems, generating an endless series of new forms of awareness.
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