Abstract

Re-using Arabic inscriptions on the objects and monuments of the medieval Hispanic kingdoms (11th–15th centuries) bears witness to the valorization, selection, and reinterpretation of the al-Andalus heritage by the Christians. The aim of this article is to propose a methodological approach for a global study of these inscriptions, which will be based on the constitution of an exhaustive corpus on the scale of the peninsula. This will allow us to have an overview of these inscriptions, to identify a typology and the different stages of their evolution. Then, a comparison with the inscriptions of al-Andalus will highlight the heritage of the various traditions and the dynamics resulting from this appropriation. Finally, a focus on the actors as well as the different historical circumstances of the epigraphic production will lead to a better understanding of their symbolic value and the complex intention behind certain inscriptions. It will also help to better understand the mechanisms of their reception, in line with a reflection on the role and status of ornamental writing.

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