Abstract
The purpose of this work is to concentrate the reader’s gaze on the choral works of Tatar composers, to show that the creation of these works was inspired directly by a religious idea, and this idea manifested itself at the level of the use of Koranic texts. The research material was partly the work of S. Gabyasha, as well as works by Sh. Sharifullin, R. Kalimullin, M. Shamsutdinova, S. Zoryukova for choir, alto flute, double bass, prepared piano and percussion. The author of the article comes to the conclusion that the appeal to the Koranic texts of modern Tatar composers is not only due to the desire to join Muslim spiritual ethics, but also to comprehend their past from the present, thereby outlining the appropriate vector of musical development into the future.
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