Abstract
This study aims to review the relationship between works and audiences in contemporary art by discussing installation art in terms of audience participation. For this purpose, it analyzes the aspects and structures of installation art that induce and encourage participation in various directions, and examines what kind of experiences installation art provides to the audience. The contents of the study will interpret minimalism in relation to Merlo-ponty's phenomenology and discuss the meaning of the exhibition that changes from space to place based on the consideration of the existing installation site. In addition, as audience-participating installation art develops, research will be discussed under the view that art does not exist as a “work” but has the power to change in the process of “events” and the expansion of Benjamin's concept of aura will be explored through Böhme's asthetik. Based on these discussions, this study raises the need to re-establish the concept of installing art works in the sense of creating a place where multiple interpretations and ambiguity meanings can be produced by inducing the participation of the audience, rather than simply displaying objects in space.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
