Abstract
The purpose of this study is to analyze the aspects, meanings, and limitations of the family in the television drama Thirty, Nine. In Korean society, the framework of “normal family” became a standard for discriminating against the forms of family that did not meet this, but recent changes in social perceptions are reflected in the aspects of family in television dramas. Thirty, Nine presents care and intimacy as the standard of a new family. It is emphasized that the family does not consist solely of blood ties by dealing with the issue of adoption. This work divides the good and bad composition of characters based on their perceptions and attitudes toward the family and omits specific conflict situations. It also distorts the real reality in that commitment to each other is mainly based on strong economic power and time. In addition, the main characters choose marriage based on heterosexual relationships at the end. It deals with the problem of adoption within this typical family structure of parents and children. This shows that various imaginations of the family are not fully realized in television dramas.
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