Abstract
The purpose of this paper is to discuss the properties of sound in modern Korean music in the 21st century. This is an attempt to expand beyond the physical properties of sound into an abstract discussion and solve it within the field of media philosophy. This paper analyzes some works as research subjects, and discusses these works in connection with the concept of “immediacy”(Unmittelbarkeit) and “mediality”(Medialität) of sound. In this paper, it is confirmed that musique concrete could be classified as “phenomenal immediacy”, soundscape music as “medial immediacy”, and live-electronic music as “performative immediacy” according to the process by which sound is generated and processed and the way in which it is performed. confirmed that it could be. This is an attempt at a philosophical discourse on the relationship between sound and music, and is expected to open a new horizon of thinking about sound art in the future.
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