마이크의 연극적 수행성 탐구

Abstract

Performativity of the microphone in Richard III directed by Thomas Ostermeir was examined, focusing on the symbolism and the mediality of microphone. Firstly, the microphone functions as a symbol of power. By occupying the center of the stage, it visually dominates the performance, and by amplifying sound, it acoustically dominates other sounds, thus taking control over the plot. Unlike traditional theater where the use of microphones is concealed, the use of the microphone is overtly displayed in the Ostermeier's Richard III. This overt coexistence of Shakespearean drama from his era and the modern technology of the microphone amplifies the sense of unfamiliarity and strengthens the alienation effect. Moreover, the protagonist, Richard, uses the microphone to delicately convey his inner self, engaging the audience in the events and eliciting empathy for the character.