Abstract

The purpose of this study is to dialectically embrace the naturalistic gardener Piet Oudolf's garden in Korea's naturalistic garden and explore the possibility of creating a new garden. Literature analysis and case studies were visited and studied. As a result of the study, first, the combination of the visual deformability of the flat garden Audolf Garden and Korea's curved and irregular topography can achieve the visuality of tactile perception. Second, the fusion of Audolf's pictorial garden with the Korean garden, which creates meaning by giving symbolism to garden compositions, can not only expand aesthetics but also give a sense of place through story telling. Third, in the Audolf Garden, where the garden components are monotonous, the installation of structures such as stones, pavilions, and pavilions can diversify the perspective, and the arrangement of shrubs and trees can provide richness to the garden. Fourth, the expanded visuality through the borrowed landscape method will broaden the horizons of garden appreciation and experience for visitors.

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