Abstract
The article attempts to define the boundaries of the experimental concept of “intermedial hero”/“intermedial character”, in relation to verbal literary texts. By its nature, the term is collective and is associated primarily with the verbal representation of a specific subject of action (artist, sculptor, musician, etc.), creating works of other arts within a literary text and, most importantly, transforming the structure of the work inner world, making it intermediate (not only in the main plot, but also at thematic, compositional, and mythotectonic levels).
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Schedule a callMore From: RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series
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