Abstract

The purpose of this study is to discuss the important spatiality in contemporary art. Contemporary spaces show a variety of shapes and scopes, from independent private spaces to wide open public spaces. This aspect of space also appears in the art exhibition hall. Therefore, the purpose of this thesis is to examine the form of space and the viewer's visual perception in installation art among contemporary art fields. Chapter 2 examines the spatiality of installation art and discusses the visual and perceptual experiences felt in space. Chapter 3 examines private space and private space, which are the minimum units of spatial classification. Through the installation work presented in this thesis, it is possible to confirm the space that the viewer remembers and the new spatial perception that occurs in the process of experiencing the work. The last chapter discusses the new space created by the artist and the audience, the space of heterotopia that is both private and public. In this way, it is thought that it can be applied to various fields by confirming the scalability and scalability of thinking about space that contemporary art pursues.

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