Abstract

The object of the study is the phenomenon of global responsiveness, manifested in Russian artistic culture. The subject of the scientific work is the figurative realizations of this phenomenon in modern poetry. The material for the article is the poetry of cultural scientist, philosopher and poet Vadim Lvovich Rabinovich, namely his poetry selection from the literary and socio-political magazine "Friendship of Peoples". The hermeneutic analysis focuses on the figurative realizations of the phenomenon of global responsiveness in the poet's poetry selection, which manifests Eastern European and Russian cultural traditions associated with the eidology of love and death, knowledge of the Other. We turn to Pushkin's text at the typological level, views on the art of artists of the modernist era. We consider in detail the concept of "entelechy", without which it is impossible to make a methodological breakthrough in terms of understanding the phenomenon of global responsiveness. The results of the study consist in identifying the cultural and philosophical potential of modern poetry for further study of the problem of global responsiveness in Russian artistic culture and its national existence. The results of the work may be of interest to literary scholars who include literature in the space of a large dialogue of cultures, and can also be used in teaching courses on cultural studies and philosophy.

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