집시 재즈에서 나타나는 바이올린 보잉의 변용 분석

Abstract

The purpose of this paper is to present the characteristics of the violin bow performance technique, a major instrument in gypsy jazz, and to explore the transformed bowing techniques. Gypsy jazz, also known as gypsy swing or manouche jazz, is a genre that combines the musical tradition of the gypsy community with the characteristics of jazz, featuring a unique swing and rhythm pattern. Given that musical expressions such as rhythm and articulation are influenced by bow, variations in bowing techniques are necessary for effectively applying swing rhythms. This study investigates the historical significance of gypsy jazz in the context of jazz history and examines the evolving role of the violin. The basic elements of bowing and the specific characteristics of the transformed bowing techniques are analyzed through the case of Stephan Grappelli, a renowned jazz violinist. The transformed bowing techniques encompass four key aspects: bow grip, off-beat slurring, ghost notes, and bow division. The consideration of these bowing techniques is expected to serve as a valuable guide for understanding and utilizing the violin in jazz contexts.