Abstract

This study aims to identify Jewish characteristics in Arthur Miller's eight major plays, focusing on their characters, themes, and writing styles. As a Jewish American immigrant, Miller has been praised for portraying the American ego or culture. Until now, criticism of Miller's plays has taken his imperfect American self for granted as the standard of universality. Critics analyzed only the form and content revealed on the surface of the plays, which have become ambiguous due to the author's double identities. Miller presents a typical American middle-class character on the surface of his works but, in deep structure, projects the collective Jewish ideology and prophetic discourses oriented toward the Old Testament. This study redefines the propositions of 'Modern Tragedy,' 'Common Man,' and 'Whole Social Drama' that Miller claimed to emphasize the universality of his works. The analysis of Miller's plays' characters, themes, and writing styles reveals that he reflects his Jewish identity more strongly than his American ego.

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