ABSTRACT: During the worst months of the COVID-19 pandemic, photojournalistic depictions of the havoc wreaked by the virus became ubiquitous. Images of physically distanced funerals and large-scale body disposal populated newsfeeds, but the labor and experiences of those working within these images—people handling bodies and guiding bereaved families—remained largely hidden from public view. Even before the pandemic, visibility and public recognition were complicated matters for the “deathcare” sector, as professionals cautiously constructed and defended the line separating the family-facing frontstage and industry-insider backstage. Our engagement with this sector through photography was motivated by a desire to illuminate the experiences of those working in deathcare during COVID outbreaks and lockdowns in Melbourne, Australia. Reflecting on photography as method in the study of death, we think through the complexities of seeing and unseeing, exposure and concealment in contemporary death rituals. The pandemic exposed certain realities of death and dying to the public but obfuscated others. Further, our ethnographic practice of portraiture revealed concealment to be a key element of the caring labors that deathcare workers perform.
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