Emotional World Research Articles

1980년대 노동소설의 대중성 연구

This study focuses on popularity as a condition of working class literature in the 1980s. The popularity of working class literature is a component that constitutes the subjectivity of the working class and a methodology of literary practice that allows the ideology of class to be accepted in the daily life. In order to analyze this, the junction of 1987 should be noted. This is because the essence of working class literature in the 1980s will be revealed only when the period around 1987 is understood to mean change and response, not disconnection.
 Yi Taek-ju’s An old worker’s song and Ahn Jae-sung’s The strike are the main texts of this study. The two works are differentiated in the way they constitute the subjectivity of workers. While Yi Taek-ju’s work reproduced the labor movement in the 1980s based on its historicity from the 1970s, The strike set the direction of the ideology of reflection and overcoming. Ahn Jae-sung tried to practice the ideology of a worker as a class by putting politics at the forefront. In addition, solidarity with ‘Hakchul’(student-turned laborers) is presented as a practical method. However, the possibility of solidarity is also possible through solidarity or expansion at the daily life’s level experienced by workers. This possibility is read as an aspect of the popularity of working class literature.
 Popularity planning is developed in a way that pursues homogeneity at various levels. The inner world of emotion is the most realistic experience world experienced by actual workers, and the sense of reality formed through it is an important element of the inner completeness of labor novels as literature. In addition, the inner reality is closely related to the working class’s knowledge system, that is, “The Working class Literacy”. Workers produced working class knowledge that would be used effectively in Korean society in the 1980s through daily experience and inner life. Working class literature showed the reason for the popularity of working class literature by reproducing the scene in which literacy is produced to meet the needs of the times through defects with various surrounding popular art styles.

«Scenarity» as the Basis for the Formation of the Drama Genre in K. Tsepkolenko First Piano Concerto

The article reveals the peculiarities of creating the dramatic form of the Concerto-Drama for Piano and Orchestra. The paper substantiates the principles of dramatization of the composer’s piano concerto from the position of her creative method — her own genre concept, namely “scenario development” of musical material and general stylistic foundations of her creative work. The internal dramatic effect of the concerto is achieved thanks to the through development of musical images in the concerto-drama thanks to thematic bridges that unite all three parts into a single performance, in which the relief and convex script-fabula layers of the work are literally perceptible, revealing to the listener a world of emotions and vivid feelings. The article shows that the composer, developing the concerto genre in a dramatic turn, uses playful methods of form-making to enhance the dramatization of his works. In the orchestra part she widely uses the competitiveness of the individual instruments and orchestra groups, in the climactic moments the texture is saturated by poly-linear multi-layered semantic structures. The composer makes innovative use of piano cadenzas that appear on the crest of the hero’s emotions, appearing in various structural sections of the concerto and serving as unifying material that binds together the dramatic plot of the concerto. The individual project of the work based on the script featured development of the drama is decisive in the composer’s concerto-symphonic works. Here the composer acts as another function that emerged in connection with the application of the script development method, namely that of the director of the musical process, who shapes the musical material taking into account its texture, temporal and spatial forms.

Эмоциональный мир семьи в “Повести о рождении, происхождении и всей жизни” князя И. М. Долгорукова

The recent “emotional turn” offers new research perspectives in literary studies. Emotions are not only a personal phenomenon, but also a product of culture. Therefore, it is important to reconstruct their evolution in different contexts, such as in the family environment. To do this, ego-documents are rich sources for investigating the emotional world of the family in the past. The aim of this article is to analyse the feelings related to family relationships in the autobiographical work Повесть о рождении моем, происхождении и всей жизни by I. M. Dolgorukov (1764–1823), who is an interesting figure of the Eighteenth-century Russian cultural scene. In particular, this study pays attention to the aims of I. M. Dolgorukov in describing his emotions. Moreover, it emphasizes how the author is influenced by cultural context in the way he talks about his own feelings in his autobiography.

ЖАНР ХОРРОР У ЕМОТИВНОМУ РОЗРІРІ: ПЕРЕКЛАДАЦЬКА СКЛАДОВА

The article elucidates the emotivity of horror literature in the light of translation studies. Based upon the classical material of the research the specificity of emotions’ verbalization has been discussed. The dominant negative emotions such as agony, fierce, anger, hatred are depicted jointly and tightly. A prominent emotive feature of the horror genre is emotions’ depiction on physiological processes. It allows describing hero’s emotional worries through the prism of inner changes in his/her state of health and body in general. The article touches upon the most vivid descriptions of physiological changes depicting emotions and emotive sketches with somatisms blood and heart. Horror genre texts are full of emotive paragraphs and reveal the inner world oh heroes’ emotions. Emotions in horror literature are depicted by means of nomination and contextual description with the help of lexical and linguostylistic means. Preserving the emotive component in the target text is a complex and crucial task for a translator. Rendering emotivity without overinterpretation of the source text and without imposing one’s personal emotional world requires a high level of professionalism. Translators rendering the negative palette of emotions face stylistic omissions and neutralizations that results in the low level of emotivity in the target text. Alongside, stylistic equivalents are also present the target texts that proves the translators’ willingness and desire to be close to the author of the original. Emotional tension and suspense that are also considered necessary to be saved in the target text are preserved by the translators using stylistic intensification and equivalents.

DETERMINING THE LEVELS OF ANXIETY, DEPRESSION AND SELF-CONFIDENCE THROUGH DRAWINGS OF CHILDREN AFFECTED BY THE EARTHQUAKE

The aim of this research is to identify behavioral disorders such as post-traumatic anxiety, depression, and self-confidence in their emotional world through the pictures of children who experienced the earthquake. For this purpose, the images of 34 children between the ages of 7 and 9 who experienced the earthquake disaster in Izmir, Türkiye in 2020, were analyzed. In the research, the one-subject research design was used among the experimental designs, which is one of the quantitative research methods. Mann-Whitney U test was used to determine whether there was a significant difference in the analysis of the data. According to the findings of the study, it was concluded that children reflected mental health variables such as their depressive levels, self-esteem levels, and anxiety states with the pictures they drew. The scores obtained from the sub-dimensions of anxiety, depression, and self-confidence in the children's drawings evaluated through the scale were higher in the preliminary drawings immediately after the earthquake compared to the final drawings made three months later. It is understood that this finding caused the high scores of the preliminary drawings because they were made right after the earthquake. This situation revealed that the prepared scale was valid and reliable.<p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0582/a.php" alt="Hit counter" /></p>

Reading The Divan of Edirneli Nazmi in the Light of Tazkiras: Pearls Washed Ashore from an Artist’s Stylistic Evaluations

Şairler ilâhî bir kudretle şiir söyleme yetisine sahip olup günlük konuşma dilinin söz dağarcığı onlar için kifayetsiz kalmaktadır. Böyle bir durumda sanatçı, duygu dünyasını karşılayacak yeni kelimeler türetemeyeceği için var olan kelimelere yeni anlamlar yükleme yoluna gider. Geniş hayalleri ve derin duyguları onu bu yola sevk eder. İşte bu serüvendeki farkındalık noktasında her sanatçı kendi üslubunu oluşturur. Terry Eagleton’un ifadesiyle bir yazı parçasının yüzeyi gizli derinliklerinin itaatkȃr yansımasından başka bir şey değildir. Modern dünyada üslup değerlendirmeleriyle alakalı dil bilimsel metodlar denenmekle beraber gelenekten de istifade edilmesi gerekmektedir. Tezkireler, çok sayıda Osmanlı Dönemi şairlerinin biyografisini sunarken sanatçının dili nasıl kullanması gerektiği konusunda ipuçları sunar. Üslupla ilgili bu değerlendirmelerde ise ortak bir terminolojinin kullanıldığı dikkat çekicidir. Tezkirelerdeki bu terminoloji ışığında bir sanat eserine nasıl bakılması gerektiği ve eserin nasıl yazılması gerektiği konusundaki düşüncelere sahip olmak mümkündür. Edirneli Nazmî Dîvân’ı hem birçok türü barındırması hem de şiir sayısı bakımından oldukça dikkat çekici bir eserdir. Çalışmamızın amacı XVI. yüzyıl şairlerinden Edirneli Nazmî Dîvân’ını tezkireler ışığında okuyarak geleneksel terimlerle üslup bilgisinin çalışılabileceğini göstermektir. Üç bölümden oluşan çalışmamızın ilk bölümünde; tezkirelerdeki poetik terimlerden yola çıkarak Edirneli Nazmî’nin üslup değerlendirmeleri tespit edilmiştir. Bu bölümde Dȋvȃn içinde yer alan Arz-ı Hâl-i Be-Pȃdişȃh isimli mesnevȋ sebeb-i te’lîf bölümünden dolayı konu dahilinde ayrıca incelenmiştir. İkinci bölümde, ilk bölümden hareketle şairin poetikası ortaya konmuştur. Son bölümde ise şairin poetikasıyla eserinin ne kadar örtüşüp örtüşmediği konusunda karşılaştırma metoduna gidilerek çıkarımlarda bulunulmuştur.

The ‘Powers of Horror’: Abjection, Critical Realism and Social Work

Abstract Assessment is a pivotal part of social work process and is meant, amongst other things, to identify the deep-seated causes of human behaviour and well-being. This search for causation, it is argued, can be illuminated through a critical realist understanding of the person in society. In line with this philosophical stance, this article introduces a little considered causative mechanism pertinent to social work assessment: that of psychological abjection. Formulated by the French psychoanalytical theorist, Julia Kristeva, abjection serves to differentiate the self from the ‘abject’ or what is viewed as atypical in presentation. This concept is then scrutinised leading to the enlarged notion of social abjection; that is, the ‘othering’ and shaming of social groups which are viewed as anomalous. The implications of both psychological and social abjection for social workers are subsequently considered. At this point, the countervailing causative mechanism of recognition is proposed to mitigate abjection, and an argument is made for applying it within narrative social work and emancipatory groupwork. Finally, it is contended that social workers must commit to abjection work. This effort involves professionals gaining insight into how the abjection mechanism affects their inner world of perception and emotion, assessment of situations, and approach to service users.

USE OF ELEMENTS OF 3D PRINTING IN MEN’S SUIT DESIGN

The use of innovative methods and constructive solutions, non-typical textural and structural materials and elements of 3 printing in the development of the design of models of products of the fashion industry, and in particular clothes, attracts the attention of fashion industry specialists, starting from interesting and creative ideas, creating collages of inspiration, performing quick black and white sketches of products, selection of materials and components, as well as in the detailed development of elements of men’s suit constructions. Development of an assortment of modern and creative men’s suits from various non-typical materials and elements for the industry is a bold challenge of the designer to society, his idea, vision of the world of emotions, fashion and beauty. This is partly an opportunity to save natural resources and use as decorative elements of the suit 3 printing details imitating metal chains. The article investigates and analyzes the relevance and technological possibility of using 3D printing elements in the form of chains of various weaves for the design of a collection of men’s suits for industrial and individual collections. The issue of fashion trends in the design of men’s suits has been studied and analyzed. An analysis of world brands of clothing manufacturers was conducted, the theoretical feasibility of this development was proved. The results of theoretical and analytical research on the possibility of using bold constructive ideas and solutions in men’s suits are presented. Developed a sketch project, 3D models of chains, made with the help of a 3D printer “Prusa” chain samples for use in the men’s suit collection. Samples-modules of products were made in the material for visualization of the idea. This development was presented at the startup competition of works of young designers, Kyiv KNUTD (2022). The feasibility of this development has been proven theoretically. The collection of products will be presented at the competition “Cave Chestnuts”, Kyiv.

Landscape Design under the Influence of Digitalization

Landscape design under the influence of digitalization is studied in the paper. The ultimate purpose of environmental design is to apply social, economic, artistic, technological, political and other comprehensive means to meet the needs of people's existence and development in the urban environment. The artistic image generation of forest landscape is in its various constituent elements and space with its own laws of formal beauty. The interplay of different elements as the interweaving and fusion of different elements constitute the garden environment, form and other different artistic The artistic image of the garden landscape space is more harmonious and unified, and in the human aesthetic interest in the world of human emotions. This paper gives the novel ideas for the digital analysis and provide the novel suggestions.

Using Artificial Intelligence to Analyze Non-Human Drawings: A First Step with Orangutan Productions.

Simple SummaryUnderstanding drawing features is a complex task, particularly concerning non-human primates, where the relevant features may not be the same as those for humans. Here, we propose a methodology for objectively analyzing drawings. To do so, we used deep learning, which allows for automated feature selection and extraction, to classify a female orangutan’s drawings according to the seasons they were produced. We found evidence of seasonal variation in her drawing behavior according to the extracted features, and our results support previous findings that features linked to colors can partly explain seasonal variation. Using grayscale images, we demonstrate that not only do colors contain relevant information but also the shape of the drawings. In addition, this study demonstrates that both the style and content of drawings partly explain seasonal variations.Drawings have been widely used as a window to the mind; as such, they can reveal some aspects of the cognitive and emotional worlds of other animals that can produce them. The study of non-human drawings, however, is limited by human perception, which can bias the methodology and interpretation of the results. Artificial intelligence can circumvent this issue by allowing automated, objective selection of features used to analyze drawings. In this study, we use artificial intelligence to investigate seasonal variations in drawings made by Molly, a female orangutan who produced more than 1299 drawings between 2006 and 2011 at the Tama Zoological Park in Japan. We train the VGG19 model to first classify the drawings according to the season in which they are produced. The results show that deep learning is able to identify subtle but significant seasonal variations in Molly’s drawings, with a classification accuracy of 41.6%. We use VGG19 to investigate the features that influence this seasonal variation. We analyze separate features, both simple and complex, related to color and patterning, and to drawing content and style. Content and style classification show maximum performance for moderately complex, highly complex, and holistic features, respectively. We also show that both color and patterning drive seasonal variation, with the latter being more important than the former. This study demonstrates how deep learning can be used to objectively analyze non-figurative drawings and calls for applications to non-primate species and scribbles made by human toddlers.

Art therapy utilizing smartphones as a therapeutic stimulus to promote self-expression

This study’s aim was to empower South Korean adolescent girls to explore their creative potential and emotional world by implementing a six-session art intervention with a smartphone stimulus in a therapeutic setting. Within a culture of high expectations for academic achievement, adolescents can experience varying degrees of stress and anxiety, which can contribute to a range of emotional and behavioral problems. Thirty-three Korean adolescent girls received an art therapy intervention with the following components: (a) leveraging the smartphone as a motivational stimulus, (b) introducing response art as an opportunity to elaborate on smartphone imagery, and (c) inviting participants to dialogue with their art. Engagement in these activities was measured quantitatively along three dimensions, motivation, response art, and dialogue, through a researcher-developed instrument, the Participants Engagement Scale. Paired t tests comparing mean scores from the first to final session showed participants’ engagement significantly increased along all three dimensions (p = 0.0001), supporting the hypotheses. Qualitative data in the form of process notations were analyzed thematically to provide context and further insight into the efficacy of the intervention. The findings demonstrate that Korean adolescent girls respond positively to a therapeutic environment that respects their culture and in which they feel safe enough to share their stories in an exploratory or playful manner via their own creative expressions.

But Where is the Magic? Emotional-relational Humans and their Untold Stories in International Relations

The affective turn in International Relations (IR) has been engaged in the critical project of returning the emotional to the international for a while now. Following these efforts to reinvest humanity in politics, this article seeks to investigate if an engagement with emotional humans can provide refuge from, grapple with and ultimately transform a disenchanted world of IR and spell new worlds into existence that place the emotional-relational at the centre of its practice. Drawing on feminist, aesthetic and decolonial scholarship on emotional-relational humans, I argue that such imaginations can open routes to recovery for emotional worlds in the discipline. I introduce magical realist fiction as a genre of literary writing which embraces the magical ability of humans who resist and transform unbearably rational worlds through their emotional relations with each other. Gleaning moments of emotional incantations by humans–in Isabel Allende’s A Long Petal of the Sea, Salman Rushdie’s Midnight’s Children, and Gabriel Garcia Marquez’s Love in the Time of Cholera–which work to transform a world that becomes too difficult to bear for its inhabitants, I contend that IR stands to gain invaluable lessons by immersing itself in the kind of emotional magic that such literature and its resident humans spell into being.

An Evaluation of Its Status in the Compilation Dictionary of Basic Emotion Verbs Available in Dîvânu Lugâti't-Türk

Söz varlığımız içinde önemli bir yere sahip olan fiillerden bir kısmını duygu fiilleri oluşturmaktadır. Zihinsel süreçte meydana gelen duyguların dildeki karşılığı olarak da tanımlanan bu fiiller psikoloji, dil bilim ve kültürel açıdan önemli bir kesişim noktasında yer alırlar. Bu bağlamda temel duygu fiilleri ait olduğu toplumun düşünce yapısı ve buna bağlı olarak da duygu dünyaları hakkında bazı ipuçları verebilir. Çalışmamızda psikolojide üzerinde fikir birliği sağlanmış temel duygu fillerinin varlığı Dîvânu Lugâti’t-Türk’te araştırıldı. Tespit edilen 73 fiilin Derleme Sözlüğü’nde ses ve anlam açısından nasıl değişime uğradığı ortaya konuldu. Bu fiillerden bir kısmının ses değişimine rağmen anlamını ve günümüz ağızlarında hâla varlığını koruduğu, bir kısmının tamamen kullanımdan kalktığı; bazılarının ise ses ve şekil değişimi yanında anlam değişimine de uğradığı tespit edildi. Çalışmamızda, kültürel bir varlık olan dilin duygular bağlamında geçmişle tamamen bağını koparmadığı, bir yönüyle ağızlarda varlığını sürdürdüğü belirlendi. Bu durum Türk kültür ve karakterinin tarihin akışı içerisinde bir bütünlük içerisinde olduğuna dair önemli ipuçları verebilir.

Emotional Expression and Analysis in Music Performance Based on Edge Computing

The expression of emotion in music performance is the soul of music, and the emotion revealed by the performer during the performance can bring emotional resonance to the audience. The emotions expressed by music such as joy, anger, and sadness are the meaning of music’s existence. Music without emotion will be dead. However, the music itself has no emotion at all; it is just a regular sound, so the emotional reading of music performance is very important. Music performance is an interpretation of music, and it is the most important emotional information and communication medium for human beings. Through the appreciation of the works to express the author’s emotions, the different performance forms of musical instruments, dance, and singing bring emotional resonance to the audience. Edge computing is the core technology and edge node of the Internet of everything in the new era, and it is constantly innovating with the rapid development of computers and the great changes brought about by them. Nowadays, people’s demand for emotional information processing of music performances has also increased. The research attention to music performance and the attention to its application technology have also received unprecedented development, so the requirements for the ability of human and machine interaction are getting higher and higher. With the increasing maturity of multimedia and communication technologies, there is an increasing expectation of using computers to express human thoughts and emotions. By combining the two, Dongfeng’s expression and analysis of music emotions through edge computing have also ushered in new developments. For example, people upload or share music and dance videos to their friends through WeChat, QQ, Douyin, etc., which greatly enriches people’s emotional world. The analysis and judgment of music emotion are the main subject of the joint development of both musicology and psychological research. With the help of computer science technology and artificial intelligence and other tools, the purpose of music emotional research can also be achieved. Particularly with the advancement of science and technology and the vigorous development of computer application technology, people’s needs for emotional expression and analysis of music can now be carried out with the help of computers. However, the amount of data generated is extremely large, and using edge servers for data processing can improve the efficiency of analysis and processing to meet people’s needs.

Trait emotional intelligence in American pilots

There is a dearth of trait emotional intelligence (trait EI) research within an aviation context. Using the Trait Emotional Intelligence Questionnaire (TEIQue), the present study investigated potential trait EI differences between pilots and general population controls in the United States. The forty-four pilots who volunteered to participate were primarily male (93%) and between 24 and 67 years with a wide range of flight experience (150–5000 + hrs.) They were matched with controls based on age, gender, and ethnicity. Comparisons on global trait EI and the four trait EI factors revealed significant differences, with pilots scoring consistently lower than their matched counterparts in global trait EI, Well-being, Emotionality, and Sociability, but not Self-control. Overall, the findings indicated that pilots felt less connected to their emotional world than controls. Though limited by sample size and participant diversity, the results provide a basis for future studies into the trait EI profile of pilots, which had not been previously investigated.

The Lines Between the Lines: How Stage Directions Affect Embodiment

The Lines Between the Lines: How Stage Directions Affect Embodiment

Emotion Regulation Flexibility and Electronic Patient-Reported Outcomes: A Framework for Understanding Symptoms and Affect Dynamics in Pediatric Psycho-Oncology.

Simple SummaryThe individual’s ability to conceive and regulate the broad spectrum of their human emotions is closely linked to their mental health. The implications of a serious disease such as cancer represent an extraordinary burden to these internal coping mechanisms, especially in the case of young patients. Regarding their well-being and support, it is therefore of particular interest for caregivers to be able to follow the dynamics of the patient’s emotional world and perceptions. Technical progress enables new possibilities for data collection through tools for digital patient self-reports while simultaneously creating new challenges. Within the scope of this article, we provide an overview of the literature on this topic, outlining the current strengths and weaknesses and possible perspectives on digital aids, especially in terms of capturing the flexibility, fluctuations and early detection of symptom changes.Emotion dysregulation is regarded as a driving mechanism for the development of mental health problems and psychopathology. The role of emotion regulation (ER) in the management of cancer distress and quality of life (QoL) has recently been recognized in psycho-oncology. The latest technological advances afford ways to assess ER, affective experiences and QoL in child, adolescent and young adult (CAYA) cancer patients through electronic patient-reported outcomes (ePRO) in their daily environment in real-time. Such tools facilitate ways to study the dynamics of affect and the flexibility of ER. However, technological advancement is not risk-free. We critically review the literature on ePRO in cancer existing models of ER in pediatric psycho-oncology and analyze strength, weaknesses, opportunities and threats of ePRO with a focus on CAYA cancer research and care. Supported by personal study-based experiences, this narrative review serves as a foundation to propose a novel methodological and metatheoretical framework based on: (a) an extended notion of ER, which includes its dynamic, adaptive and flexible nature and focuses on processes and conditions rather than fixed categorical strategies; (b) ePRO as a means to measure emotion regulation flexibility and affect dynamics; (c) identifying early warning signals for symptom change via ePRO and building forecasting models using dynamical systems theory.

Recognizing cocoon phenomena in a hospital restructuring: A case study of a psychodynamic organizational consultation

AbstractIn this paper, we expand upon our use of the cocoon metaphor for understanding and working with organizations from a psychodynamic perspective. Conceived as both defensive and generative, cocoons are relational phenomena that manifest throughout organizations and risk being mistaken as dysfunctional entities in need of dismantling. To illustrate the utility of the cocoon metaphor in conceptualizing organizational problems, we present a case study of a hospital restructuring following its acquisition by a for‐profit health care system and driven by efficiency and cost‐savings. The resulting disruptions across operating divisions created a set of problems that necessitated the help of an outside consultant. Engaging members of the organization in the task of solving their own problems entailed recognizing their (inter)subjective experiences and behaviors as more than just defensive hiding, or aggressive attacking, but also as holding the potential for new ways of working and relating. It also entailed showing leaders how to replace environmental impingement in the form of “looking for mistakes” with what we call, borrowing from Marion Milner (1969), a “waiting watchfulness” that fostered understanding of the emotional world inside, outside, and at the boundaries of cocoons to promote organizational learning and meaningful change.

La camaleonticità delle addictions tra territorio e carcere. L'esperienza presso i Servizi per le Dipendenze della ASL Caserta

The aim of this work is to propose a global and complex vision of the phenomenon of addictions, with an eye reserved for those without substances, drawing on living experience from daily clinical practice in a Service specifically designed to treat new addictions. We will observe them through the phenomenological method, which seems to suggest that they are an epiphenomenomenon of a global crisis of the World of Life as understood by Husserl (2008). This work will constantly move along the awareness of the tragedy underlying the new addictions but at the same time going beyond the mere phenomenal manifestation: they will thus be considered in their bio-psycho-social breadth in an attempt not to lose the sense of what is not only a disorder but also a post-contemporary epidemiological crisis because today it spreads faster than any current treatment put in the field, whether operational or preventive. It is a crisis that affects the Social World [..] the Bodily World [..] the Emotional World [..] the Psychic World [..] Finally, we will walk the corridors of a non-place of life such as the prison to observe what subtly changes in this sphere also within it. In the operative and territorial clinic of the old and new addictions, psychotherapy would seem to play a fundamental role [..] Our aim will be to try to deal with and embrace all this even if only skimming this complexity together with some initial data emerged from the experiences carried out in the last years at the UOC Behavioural Addictions of the ASL Caserta.

FUNCTIONING OF THE EMOTIVE VOCABULARY IN BELLES-LETTRES TEXTS AND ITS TRANSLATION INTO UKRAINIAN (based on the novel “The Hippopotamus” by Stephen Fry)

The article deals with the features of emotive vocabulary functioning in belles-lettres texts as demonstrated on the example of Stephen Fry's novel "The Hippopotamus" and ways of its rendering in the Ukrainian translation. It is determined that emotive vocabulary in belles-lettres works can perform communicative, expressive and pragmatic functions, which create a psychological portrait of a character, provide an emotional interpretation of the world depicted in the text, reveal the inner emotional world of the author's figure. The authors of the research propose their own classification of emotive vocabulary, which is divided into emotives proper (affectives and connotatives), emotive designators (vocabulary which nominates emotions) and emotive descriptors (vocabulary which describes emotions). The use of emotive vocabulary in Stephen Fry's novel "The Hippopotamus" in the amount of 2093 units has been analised. It is established that the most productive type of emotive vocabulary in the work are emotives proper - 1113 units, of which affectives constitute 552 units, and connotatives constitute 561 units. It is determined that emotives most often express the emotional state of the characters, convey their attitude to other people, objects and phenomena, as well as serve as a speech characteristic of the characters. It is established that the rendering of emotives proper in Ukrainian requires the use of such translation techniques as substitution, omission, modulation, calque, differentiation of meaning, integral transformation, generalization, concretization. Less productive types of emotive vocabulary in “The Hippopotamus” are found to be emotive designators and emotive descriptors (612 and 368 units, respectively), which indicate in the text the way the characters experience their feelings, explain to the reader the reasons for their occurrence, or point to the cause, the result, an indirect sign of emotion, as well as serve as a speech characteristic of the protagonist. It is found that productive techniques for the translation of emotive designators and emotive descriptors are the substitution of parts of speech and members of the sentence, differentiation of meaning, permutation and integral transformation.