Works Of Poetry Research Articles

Poetry, Parody and the Construction of Contrarian Discourse in Franco’s Spain

This article examines how poetry subverted Francoist control over the written word in National-Catholic Spain. Despite the policing of culture by the regime’s censors, poets were able to use their works to express their nonconformity with the social and political situation. Spanish poets working under the regime resorted to subtle techniques in order to articulate their dissent. This article explores the political possibilities of one such technique: parody. It evaluates the limitations of parodic discourse as a form of political critique and offers an appraisal of the value of this literary form in the specific context of Francoist Spain. Offering a close reading of a work of parodic poetry by Ángel González, the article analyses how parody is used to appropriate and subvert Francoist National-Catholic discourse.

A Study on the Application of Metonymy in English Poetry

This paper takes English poetry as the object of study and examines the application of metonymy in English poetry. This paper focuses on the development of the definition of metonymy. According to the historical development of English poetry, this paper probes into the application of metonymy in the representative works of English poetry in different periods.

The Relation Between Natsume Soseki's Chinese Poems and Ancient Chinese Poetry

As an outstanding representative of modern Japanese literature, Natsume Soseki has an important position in the history of modern Japanese literature. He is a world-renowned novelist who has written many excellent novels. However, it is far from enough to study Natsume Soseki's literature only from the aspects of novels. Throughout Natsume Soseki's life, he studied Chinese studies since childhood, has great enthusiasm and interest in Chinese literature, and has a high accomplishment in Chinese literature. However, his outstanding ability in Chinese poetry was covered up by his writing ability in novels, which did not get the attention of the academic circle. Natsume Soseki's Chinese poems are in the same vein as Chinese poems, and he draws on and learns from ancient Chinese poems in the aspects of creation techniques and theme emotions. From the perspective of cultural studies, this paper makes an in-depth study of the relationship between Natsume Soseki's Chinese poetry and ancient Chinese poetry by means of comparative study. On the basis of previous studies, this paper expounds Natsume Soseki's Chinese poetry creation and its sinology origin, analyzes and summarizes the Chinese elements in his Chinese poetry works, in order to explore Natsume Soseki's contribution to the cross-communication field of Chinese poetry between China and Japan.

시와 산문의 경계에서 얻은 체득적 깨달음의 실현 - 장영수의 시를 중심으로

The purpose of this paper is to examine the world of poetry by Jang Young-soo, a poet from Wonju who wrote the Chiak Mountain series of poems. There are two main reasons for paying attention to Jang Young-soo. One is that even though he was born in Wonju, he was omitted from the history of Wonju poetry, and the other is that his works were published in only 6 volumes of poetry published by ‘Moonji Publishing’. He is a poet who sang the local sentiments of Wonju in the central literary world while simultaneously writing and researching. The memories of childhood expressed in Jang Young-su's series of poems, “Chiak Mountain,” are filled with dark, gloomy light. At times, the speaker's wishes are revealed through the heard cries of the vulture and the chickadee, and at other times, it appears as a purified space of new birth as he hears the story of meeting his mother who ran away from home only after 30 years. Afterwards, the concrete object called “Chiak Mountain” changed to “hometown” and became an abstract language. Early on, his poetry attracted the attention of the literary world for its significant punctuation marks. Afterwards, he was unable to satisfactorily demonstrate his will and passion for creation and academics. However, he is a poet who tried to feel the tension as much as possible in the relationship between everyday language and poetic language. Therefore, I turn every moment I realize in my daily life into a work of poetry. In particular, the boundary between poetry and prose feels vague in works with a confessional tone, but his creation continues.

Pendampingan Baca Puisi dalam Rangka Lomba FLS2N Kabupaten Trenggalek Tahun 2024

Poetry as a form of literary work includes a variety of feelings. The role of poetry is very large, given that poetry has a very large impact on life in society. Regarding poetry that is read or performed in a competition event as big as FLS2N means that it also provides a separate experience for connoisseurs of this type of literary work. Literary works of poetry give literary connoisseurs a taste of their own. The holding of this poetry reading competition event makes poetry reading at the school level grow and develop. In addition, the activity becomes a spectacle as well as an achievement event for the school.

Kant on the cognitive value of poetry

It is natural to interpret Kant’s claim that the poet, while playing “with ideas”, provides “nourishment to the understanding” (KU § 51, AA 05: 321) as an attribution of cognitive value to poetry. Given that he ascribes to poetry “the highest rank of all” among the arts (KU § 53, AA 05:326), it is also natural to assume that having that value contributes to the highartistic value of works of poetry. However, that Kant really endorsed this view would appear to be disputable, on the one hand because he explicitly claims that both in nature and art, “that is beautiful which pleases in the mere judging (neither in sensation nor through a concept)” (KU § 44, AA 05: 306), and this may have prevented him from assigning a role to cognitive values in promoting the overall aesthetic value of works of poetry; on the other hand, because he maintains that “an aesthetic idea cannot become a cognition, because it is an intuition (of the imagination) for which a concept can never be found adequate” (KU § 57Anm. I, AA 05: 342). In this paper, it will be argued that Kant should have been less decided on this, all the more so because the poetic examples that he discusses seem to be cases where aesthetic value and cognitive value relate to one another. In particular, Kant’s comments on verses by Friedrich II show that poetry can convey a kind of cognition – in the case in question, the cognition that we now call ‘perspectival knowledge’. In the paper, the thesis that poetry has cognitive value is not presented as a general claim but as amounting to the statement that some poetic works can convey knowledge and this contributes to their overall value. As for thekind of knowledge at issue, what Kant says about poetry is of help for understanding that this knowledge is to be distinguished from scientific or philosophical knowledge in part because the relation between text and knowledge is not that of communication or information, but of Darstellung or presentation. Poetic knowledge – if it is allowed to use this expression – is conveyed less through a propositional saying than through a demonstrative showing.

The Stay of Poetry: Notes on the Poetry of Norma Cole

This article has two interrelated projects. The first is to offer a philosophical engagement with the poetry of Norma Cole. The second is, through that engagement, to take up critically aspects of Heidegger’s writings on poetry. Consequently, as well as introducing Cole’s poetry to a wider academic audience, the contention of the article is that the limit of certain philosophical interpretations of poetry — here Heidegger’s — can be found in other instances of the work of poetry.

Notes on Voice and Tempo in Anglophone Caribbean Literatures

This article outlines a historic panorama of the dynamic relationship between written and oral forms of expression in the Anglophone Caribbean, focusing on key literary works of poetry, the novel, and theater, as well as musical genres like calypso and reggae. The aim is to identify trends, and the relationships between them, that expand beyond territorial and temporal limits, in order to better understand how the scribal and oral spheres have interacted under the pressures of colonialism and its residual effects. The article begins with a contextualization of the vernacular’s place in literary works in the Anglophone Caribbean during the colonial period and discusses several concepts that have been key in debates on language as a form of cultural resistance. The second section focuses on the growing anticolonial sentiment that began to sweep through the region in the 1930s and the literary, intellectual, and musical developments that sought to articulate these political inclinations. The third and final section examines reggae aesthetics as a driving force of cultural expression since the 1970s, considering the influence of Rastafarianism and reggae’s impact on various forms of literary production.

근현대 한시에 나타난 경주 관광 체험의 문학적 형상화 양상

Although various studies have been submitted on the response of new intellectuals to the special situation of Japanese colonial era and the representation of modern literature, this paper attempted to reveal the aspects of literary representation and the response of traditional scholars who have continued to live. In order to examine the special aspects of traditional scholars who have been pushed out of the mainstream since the introduction of new learning in modern times, the space called “Gyeongju,” which is called “the ancient city of a millennium” and is still a place for the creation of literary works today through Goryeo and Joseon, was used as one axis, and we compared the differences from the Chinese poems of pre-modern characters in a synchronic way and publicly compared the differences with the Japanese at the same time. First, it was confirmed that the representation of the space called Gyeongju in the Chinese poem changed considerably as it went through the Japanese historical tourism project. Cruise poems about Gyeongju have been steadily created since pre-modern times, and it can be seen that the historical sites that pay attention to each period and the representations of the region called Gyeongju were different. In the 20th century, Gyeongju can be said to have become a refined tourist destination stuffed as an ancient city in a medium or literary space that reminds people of Silla. The second most notable tourist destinations and labor camps followed those created by the modern Japanese imperialism, but it was confirmed that there was a big difference between the literary representation of it and the authenticity of the work. At that time, tourism had a fixed course, and information about Gyeongju encountered in advance would have also been described from a Japanese point of view. Nevertheless, the writers of Joseon did not accept it indiscriminately and resolved their feelings in their own way living in disadvantaged times. Through these poetry works, it was possible to examine the reality perception of Confucian scholars at the time and the special aspects of the poetry at that time. The poems on the Gyeongju tourism experience during the period were organized in earnest and the analysis of each work was conducted in detail to promise a more advanced study on the perception of reality and literary imagery of modern and contemporary Classical scholars, which have not been properly illuminated.

Three Works of Poetry

Three poems titled Driving Through the Night to Get Home; First Snow at the Body Shop; and Bucket Calf.

Harlem, USSR: Black Modernism in the Soviet Union, 1923–1937

Abstract The following essay tracks the translation of African-American poetry in the first two decades of the Soviet Union. Because the concept of race had no direct correlate in the Soviet Union, this essay argues that the translation of African-American poetry allowed Russian translators to publish modernist poetry that challenged the aesthetic imperatives of the Bolshevik party. To that end, the translation of Black modernist poetry—work by Langston Hughes, Claude McKay, and others—maps on to a canon of “socialist modernism,” an assembly of work that was both aesthetically and politically radical and one that pushed back against the Soviet conceptualizations of “socialist realism” and “bourgeois modernism.”

Las poetas afrocolombianas del Pacífico y la reconstrucción del territorio: una mirada desde la filosofía africana, la teoría ecocrítica africana y el <i>ecowomanism</i>

Afro-Colombian women poets, by their poetry, reveal the relationship of human beings with their environment They present the interconnection and interdependence of all living and non-living beings, and show how the protection and care of the environment are key aspects for humanity. In this paper, I analyze the poetry works of Sonia Nadhezda Truque and María Elcina Valencia Córdoba whose poems reflect their experiences and views on the environment affected by violence, displacement, and the conditions of race, gender, and class. I contend that both poets demonstrate an ethic and interconnection with their territories, evidencing their cosmovision of the self and their connection with the earth and nature, as reflected in the African environmental philosophy. I argue that within their poetry, there are aspects of African-ecocriticism and ecowomanism theories due to their experience as environmental activists, women, and members of the African Diaspora.

Magic in Art, Poetry, and Biography

Abstract The article analyzes four works of poetry and illustration produced by the artist, poet, and occultist Marjorie Cameron (1922–1995) in the 1950s and 1960s. Widow of rocket scientist and occultist John “Jack” Whiteside Parsons (1914–1952), an early follower of Aleister Crowley’s (1875–1947) religion Thelema, Cameron was also a friend and collaborator of Beat artist Wallace Berman (1926–1976) and avant-garde filmmaker Kenneth Anger (1927–2023). In the 1950s and 1960s, Cameron delved deeply into Crowley’s magical writings alongside those of comparative mythologist Joseph Campbell (1904–1987). The article especially highlights how Cameron creatively adapted and re-worked the ideas of both thinkers in her artistic interpretations of her Holy Guardian Angel. A core argument of the article is that art, poetry, and esotericism were intertwined pursuits for Cameron, and that extra-textual sources (e.g., letters and biographical details) contemporary with the analyzed creative works are helpful in untangling their meaning.

Goethe’s Platonic Natural Philosophy: How Goethean Science Provides an Alternative Conception of the Cosmos

While popularly known for his works of literature and poetry, Johann Wolfgang von Goethe viewed his lesser-known scientific pieces as his most enduring achievement. I will argue that Goethe’s unique scientific methodology is informed by a metaphysical commitment to a form of Platonism and that Goethe provides an intriguing alternative paradigm that unifies science, philosophy, theology, and ethics. I begin by demonstrating how Goethe’s concept of the Urphänomen offers a Platonic conception of natural beings. I then briefly outline how this alternative scientific approach ultimately derives from his Platonic commitments. Next, I demonstrate the ethical and spiritual implications of Goethean science, establishing that Goethe’s approach bridges the divide between our scientific endeavors and spiritual formation. There is, then, a continued relevance for Goethe in conversations regarding ecological ethics and our perception of nature.

Peningkatan Berpikir Kritis melalui Salin Tempel pada Majalah Dinding Kreatif Siswa SDN Gebang 3 Surakarta

The making of wall magazines aims to understand how effective wall magazines (wall magazines) are in increasing the literacy of elementary school students. Wall magazine as one of the media raises students' motivation in literacy and creativity. The role of the teacher and students is needed in increasing interest in reading and creativity. Making wall magazines with student creations and displaying them makes students like to read or make a work of poetry or rhymes that are posted on the bulletin. The research results of wall magazines (mading) have a very important role both in the formation of students at SDN Gebang 3 Surakarta. Several aspects that can be formed are aspects of knowledge, aspects of skills, talents and interests. Wall magazine is one of the communication media that is posted on the wall because it contains important information about the school. The main functions of magazines are informative, communicative, recreational and creative

Isi dan Makna Puisi Kluwung Karya Soewardi Baroto Martono: Pendekatan Pragmatik

Javanese people or rather Javanese ethnic groups, culturally and anthropologically, are people who in their daily lives use the Javanese language with various kinds of dialects from generation to generation. According to Kodiran (1981: 322), the Javanese cultural area covers the entire central and eastern part of the island of Java. An example of a Javanese literary works are also still quite a lot. Geguritan is a literary creation in the form of poetry which is usually sung with a very melodious song (Pupuh). This study takes as an example a literary work of poetry entitled Kluwung by Soewardi Baroto Martono. To find this literary work, the author uses a pragmatic approach that views literary works as a means to convey certain goals to the reader. This study also aims to find out the content and meaning of everyday life in Soewardi Baroto Martono’s Kluwung poetry.

Assessment of the quality of poetic translation (based on the material of translations of British poetry into Russian)

The subject of the research in the article is the peculiarities of assessing the quality of translation of poetic texts. The object of the study is the translation of a poetic text as a complex multidimensional process. In this paper, we will be interested in criteria for evaluating the quality of translation of a poetic work, since a comprehensive assessment of the quality of a poetic translation remains an unresolved problem, and the need for such a procedure remains. The criteria for evaluating poetic translation mean such signs of high-quality poetic translation, on the basis of which a standardized assessment of any poetic translation can be made, for example, in the conditions of a translation competition. To develop evaluation criteria, the author examines in detail the difficulties of translating poetry. The results of a comparative analysis of original and translated poetic texts are analyzed on the basis of the selected criteria. The work uses methods of directed sampling, comparative linguistic (phonetic, semantic, syntactic) analysis of parallel texts, linguistic and pragmatic analysis using elements of cultural and stylistic analysis, as well as quantitative data processing methods. The scientific novelty of the study lies in the fact that a method of analyzing a poem based on an assessment of the quality of poetic translation is proposed. The concept of the quality of poetic translation is clarified, criteria for a comprehensive assessment of the quality of poetic translation are formulated. A comparative analysis of parallel original and translated texts – works of British poetry and their translations into Russian, performed by professional translators, is carried out. The quality of a poetic translation can be the object of a comprehensive assessment, which is carried out using a number of criteria: the preservation of the original author's idea, composition and rhyme of a poetic work, the selection of appropriate equivalents by the translator, the absence of significant permutations, omissions and distortions, as well as compliance with the norms of the translation language. The criteria for a comprehensive assessment of the quality of poetic translation can be recommended to the organizers of translation contests to evaluate the works of the participants of the contests, as they reduce the effect of subjective factors in the analysis of quality and make it possible to rank translation options, identify the most qualitative of them.

Collaborative Writing and the Poetics of the Occasion: The Pandemic Sonnets of Cindy Tran and Craig Santos Perez

During the early months of the COVID pandemic in 2020, writers turned to the practice of sonnet-writing to connect with others, stem isolation, and take stock of the multiple crises presented by the pandemic and its complex social contexts. This essay examines two collaboratively written pandemic sonnet projects, The Poetry Society of New York’s May Day 2020 crown and Cindy Tran’s Sonnet Crown for NYC, along with the pandemic eco-sonnets of Craig Santos Perez. These pandemic sonnets articulate our complexly connected identities while highlighting the pandemic sonnet’s capacities for meditating on and interrogating our expanding webs of connection. As collaborative writing projects and works of occasional poetry, these pandemic sonnet projects reposition the sonnet in contemporary American poetics as a social and socially-embedded practice, linking contemporary sonnet practice to the highly social poetic exchanges associated with the sonnet from its earliest roots.

Stylo-linguistic analysis of structure in Niyi Osundare's poem “The Rainsong”

This study conducts a stylo-linguistic analysis of Niyi Osundare's poem "The Rainsong," examining the language, form, and structure used to convey meaning and impact. Through a detailed analysis of graphological, phonological, syntactic, and lexico-semantic features, the study reveals the poet's deliberate choices in crafting a powerful and impactful work of poetry. It highlights the use of repetition, personification, imagery, and defamiliarization to create a sense of urgency, hope, and optimism, demonstrating how the poet's use of language and form shapes our understanding of the world. Employing Halliday's Systemic Functional Language as its theoretical underpinning and adopting the methodology of close reading and text analysis, this study contributes to the field of literary analysis. It demonstrates the value of stylo- linguistic analysis in uncovering the intricacies of poetic language and informing teaching and learning practices to better appreciate the complexities of poetry.

팔오헌 김성구의 제주 경험에 대한 문학 창작과 그 의미

This study aims to examine how Kim Seong-gu (1641-1707) experienced while living in Jeju led to the creation of literary works. Currently, Jeju Island is in the spotlight as a tourist and resort, but it had a completely different image during the Joseon Dynasty. It had a negative image due to its geographical isolation surrounded by the sea on all sides.
 Most of the current Chinese poetry works in Kim Seong-gu's anthology were built when he served as Jeongui-hyeon governor(旌義縣監). In addition, he left not only poetry works, but also a prose work called ｢Namcheonrok(南槎錄)｣ which records the experiences of this period in the form of a diary. ｢Namcheonrok(南槎錄)｣ is a record from March 12, 1679, to January 16, 1682, recording the process of being demoted to Jeongui-hyeon, the schedule after his appointment, and the process of returning to Bonghwa. As such, from the quantitative aspect of the work, it can be seen that the works of this period occupied the majority. From this, it can be seen that for Kim Seong-gu, the Jeju experience had a profound influence on his life and the creation of literary works.
 As a result of examining through specific works, Kim Seong-gu constantly revealed his frustration with his situation of living in Jeju, while dreaming about impossible situations in reality and recording them in detail. He also expressed interest in Jeju's heterogeneous natural environment and culture, which are different from land.
 As such, Kim Seong-gu's creation of his Jeju experience as a literary work can be seen as an expression of his creation and record spirit, as well as an attempt to fully examine his own experience and time.