Wonder Woman Research Articles

In Memoriam Lyudmila D. Akimova, Academician of the International Academy of Refrigeration

A wonderful woman has passed away. She was charming, intelligent, highly professional, an outstanding enthusiast of her field, who devoted most of her life to publishing in the refrigeration industry. She was deeply in love with the field of refrigeration.
 From 1985 to 2020, Lyudmila Dmitrievna has been the editor-in-chief of the distinguished journal Refrigeration Technology. Since 1996, the founder of the journal has been her Publishing House Kholodilnaya Tekhnika owing to her ceaseless energy, understanding of the role the cooling technology has played in the modern civilization. The journal Refrigeration Technology has become a highly regarded and an extremely popular journal for scientists and engineers in artificial cold technology. Generations of domestic refrigeration specialists have read the publications of this journal.

‘4세대 걸그룹의 걸 크러시 스타일’에 관한 연구

Girl crush is defined as a woman's desire to cheer and actively support women, such a phenomenon, or a strong affinity to see a wonderful woman. Recently, girl crush has become a remarkable cultural phenomenon and has emerged as a strong trend in girl group style, establishing itself as one of the popular culture strategies that draw their likes through women's tastes. This study aims to analyze the characteristics of the girl crush style of the 4th generation girl group, and the research method collected and analyzed data through previous studies, professional books, and SNS articles. Based on the brand reputation index of the girl group reputation report analyzed by the Korea Corporate Reputation Institute from January to July 2022, the data were compiled and selected from 1st to 50th, and 16 fourth-generation girl groups included in the ranking were selected as the final subjects. The study found that the girl crush styles of the fourth-generation girl groups were punk style, athletic style, military style, school girl style, futurist style, and goth style. In addition, the girl crush style is largely divided into girl crush and teen crush, and it is expressed in the style of a free-spirited girl and a strong and confident woman who visits the self according to music concepts and strategies within each style type.

DEFINITION OF GIRLS IN THE WORK OF MUHAMMAD YUSUF

The article analyzes the poems of the poet Mohammed Yusufrelated to the life of women in his works. He conveys all the wonderful qualities ofUzbek women through unique metaphors. Under the influence of modern pop culture,it is especially important to explain to young people that some of the factors thatnegatively affect the customs of Uzbek girls are wrong.

An Autoethnography on a Sexual Violence Victim's Instruction Experience on Preventive Education on Sexual Violence: Being 'Wonder Woman' in 'the Weak’

An Autoethnography on a Sexual Violence Victim's Instruction Experience on Preventive Education on Sexual Violence: Being 'Wonder Woman' in 'the Weak’

Wildlife’s Wonder Woman—Sally Raulston Walker (12 October 1944–22 August 2019)

Wildlife’s Wonder Woman—Sally Raulston Walker (12 October 1944–22 August 2019)

On Discipline and Canon

While the title of the panel I participated in was Do We Eat Our Young?, I think I prefer: On Discipline and Canon, or to rework the title of the panel in the program, Do We Eat Our Girlfriends? In my short remarks, I would like to raise a set not of answers, but of questions that over the last year or so a few of us have been discussing outside of our published work. These questions seem apt both for this panel and for this conference. Last November a group of really wonderful women at the University of Texas put together a conference called Subversive Legacies: Learning From History/Constructing the Future. A number of the people attending this conference at Columbia were in Austin for that gathering. What took place there was what Martha Fineman has termed an uncomfortable conversation (1) about what it means to write as a feminist, what it means to write about feminism, and what it might mean to write from outside feminism on issues that have been thought of as the intellectual property and proper terrain of feminism. Janet Halley raised some of these questions in Austin, and again at this symposium. I regard this last move as one that is epistemic in nature. It is primarily one of vantage point and offers an important heuristic opportunity. (2) What if we stepped outside of a perspective self-consciously labeled and re-examined issues typically regarded as the target of feminist inquiry? What do we see differently about them? What do we learn differently? I would like to pick up a set of those conversations that were started for me last fall in Austin and try to engage them here. This conference takes place at a particularly interesting moment for feminist theory, a time when we can say that feminist jurisprudence has in many ways become a discipline. We have mountains of casebooks. (3) Many law schools--not all, and I do not think that I can say most--offer a course called feminist jurisprudence, feminist legal theory, or the jurisprudence of gender. There is even an endowed chair in feminist theory that Martha Fineman held up at Cornell Law School. We might even say that a kind of canon has been established in feminist legal theory, concretized, or canonized if you will, in the various readers that many of us know well. There is Fran Olsen's two-volume set collecting the writings that were, in 1995, formative and that position[ed] feminist theory within the law. (4) There are Bartlett and Kennedy's reader, (5) Adrien Wing's Critical Race Feminism, (6) and Martha Chamallas's Introduction to Feminist Legal Theory, (7) that many of us use in our own teaching. While there are doubtless new readers in press--this is an evolving area of jurisprudence--I think you will see similarities across books that both create and reflect the canonical texts in feminist legal theory. It is exciting that we can claim, and we can claim credibly, that we are writing in a field called feminist legal theory. There is a thing there; there is a field there; there is a discipline there. But it is exactly these moments in field formation that I think are quite dangerous as we risk being disciplined by the field, by the canon, and by our more prominent scholars. In some ways and in some places we hear the charge that you are not doing feminism if you are not asking the question in such and such a way, according to either a set of substantive commitments, starting points, or accepted methodologies that are widely accepted as feminist. Why do I call these moments dangerous? I think it is precisely at this juncture, as feminist theory becomes disciplinized, that the nature of critical work becomes multivalent and more complicated. Many of us are undertaking projects designed to subvert or critique larger cultural and social inequalities based on gender, but we also need to undertake critical projects from within feminism--not from within feminism outward, but from within feminism inward--by resisting the disciplinary power of the canon and continuing to critically engage the baselines, the methodologies, or the settled questions in feminist theory from within and among us. …

Catching up with wonderful women: The women-are-wonderful effect is smaller in more gender egalitarian societies.

Inequalities between men and women are common and well-documented. Objective indexes show that men are better positioned than women in societal hierarchies-there is no single country in the world without a gender gap. In contrast, researchers have found that the women-are-wonderful effect-that women are evaluated more positively than men overall-is also common. Cross-cultural studies on gender equality reveal that the more gender egalitarian the society is, the less prevalent explicit gender stereotypes are. Yet, because self-reported gender stereotypes may differ from implicit attitudes towards each gender, we reanalysed data collected across 44 cultures, and (a) confirmed that societal gender egalitarianism reduces the women-are-wonderful effect when it is measured more implicitly (i.e. rating the personality of men and women presented in images) and (b) documented that the social perception of men benefits more from gender egalitarianism than that of women.

Shift in the Status of Women Orators in India

A woman with a voice is by definition a strong woman. But the search to find that voice can be remarkably difficult. – Melinda Gates. It is a general notion that there are not many good women speakers. However, on careful scrutiny, one can find that there have been impactful and wonderful women speakers since time immemorial. The world history is a testimony to this fact. Undoubtedly in Hindu mythology ample respect is given to women consorts, people take the name of a Goddess before the name of God which is why people say Radha-Krishna, Sita-Ram, Gauri-Shankar etc. Importance of women can be seen in Mahabharata where Draupadi had an important role to play. Undoubtedly the power of women is quite known to all of us, how they manage and organize everything so well. In the day to day life also, a lot of attention is given to women in every field, many beautiful adjectives are used for describing them. They are the centre of attraction all the time. But it is very surprising that when the discussion on the topic of rhetoric is done only a had full of people are able to remember the names of the women orators. In this context, it is imperative to analyse the following questions: 1. Why do people not remember the names of any woman orator? 2. Are there lesser number of women speakers? 3. Is there gender inequality in this field? 4. Do we have more strong male orators than the female orators? 5. Is it because males are better speakers than females? 6. How different are men and women when it comes to speaking in public?

Remembering Nancy Kline

It is with great sorrow that we announce the death of Nancy E. Kline, JOPON’s Editor. It is ironic that we are using this Guest Editorial to share this sad news with you since Nancy hated writing editorials...we think she might be laughing about this. Intelligent, kind, compassionate, heartfelt, humorous, pragmatic, decisive, supportive, playful, friend, mentor, intuitive, articulate, with a smile that could light up a room. These are only some of the words we could use to describe Nancy. Although many of you might not have had the privilege of knowing Nancy, if you are a pediatric oncology nurse, your life and the lives of the children and families you care for have been impacted, and greatly enhanced, by her many personal and professional gifts. If you have studied the Essentials of Pediatric Oncology Nursing: A Core Curriculum; read or referenced an article from JOPON; attended her many seminars, workshops, presentations; read her published articles, looked up information in Pediatric Oncology Nursing: Advanced Clinical Handbook, then you know Nancy’s work. If you have given chemotherapy, then chances are you were taught by someone who had taken the Pediatric Chemotherapy and Biotherapy Provider Program that Nancy developed. If your practice is evidenceand researchbased, then you know Nancy. If you were mentored, taught, supported, or advised by Nancy, than you are a better pediatric oncology nurse. One of Nancy’s great loves (and she had many) was JOPON. Since 1998, when she became the Editor, her hard work and high standards have made this the premiere journal for pediatric oncology nursing. Her dedication and commitment ensures that this will be part of her legacy. In the coming weeks, months and years, as we grieve her passing, smiling though our tears as we remember her joy and zest for life, her smile, her wonderful sense of humor and her loving support, we will remember that legacy and formulate what the life of this wonderful woman means to all of us, personally and professionally. Thousands of nurses, patients, and families will never know that the superb care they give and receive is due, in no small measure, to Nancy Kline. We miss you. As we mourn her absence from our lives and celebrate a life filled with grace, humor, accomplishments, joy, we send love and support to Nancy’s family and friends. When we were little, we would try on the shoes of those we loved and respected, wondering when we would grow into them. We are here today missing her and wondering if we can grow into her shoes. We know we will do our best. In the upcoming months, you will hear more tributes to Nancy and her work.

Chand Bibi Sultan: Legendry Person

In the history of Islam, the role of women, from every facet of life, including political perspective, are unforgettable. They actively participate in high houses of Government, making policy, and even play an important role in battlefields. Chand Bibi was one of those wonderful women. The tragedy of our history also consists in the fact that we don't know much about achievements of women rulers instead cursory details are considered adequate, therefore so much important female figures are vanished in the smoke of history. The purpose of this article is to restate the life of a wonderful ruler Chand Bibi and to collect scattered information about her, subsequently bring to light her important role and outstanding achievements. We try to use all available material on the topic. Outline of this article is complied with the help of Muhammad Qasim Ferishta's History "Gulshan e Ibrahimi" (Tarikh-e-Ferishta), later historians also sought help from Tarikh-e-Ferishta, for more information we make good use of secondary sources too.

Signature Scents

ABSTRACTPerfume critique is an underdeveloped academic field, and this includes considerations of perfume as a theme within other art forms such as literature. In this article, Angela Carter's Wise Children and Monika Fagerholm's Wonderful Women by the Sea are read alongside perfume blogs in order to analyze the significance of perfume references in the novels. It is demonstrated that the authors' choice of perfumes for their characters plays a crucial part in their characterization, especially in relation to the theme of identity change. Using Alfred Gell's analysis of perfume use as bound up with “the transcendence of the sweet life,” it is argued that female characters use perfume to become someone else, sometimes a past self. Furthermore, the use of perfume as a literary device in these novels is shown serve as the vehicle for a feminist critique of the division between “masculine” “high” and “feminine” “low” culture.

Death, Where is Thy Victory? Her Simple Faith Nourished Me

Abstract I do consider myself most richly blessed for having had the opportunity to spend these past days with this marvelously wonderful and simple woman of faith. I consider myself most richly blessed for having had the opportunity over the years to enjoy the fruit of her culinary talents. Her simple art sated hunger. Her simple faith nourished my own.

Personal Account: How IVF changed my life

Personal Account: How IVF changed my life

Introduction to the Issue

At the end of one of her finest essays, "Theological Reflection in the Struggle for Liberation," Beverly Wildung Harrison writes that as we try to construct our theologies of liberation, we must "together remember, name, and celebrate the presence and power that sustains our struggle."' This special issue of the Journal of Feminist Studies in Religion is a naming and celebration of a very special power in many of our lives-Beverly herself, a woman who has been and continues to be teacher, mentor, and sister/friend to so many women and men. To offer an introduction to this issue that does due honor to a truly wise and wonderful woman-a woman who has shaped my own life-is a chal lenge. For to write about Beverly is to write about the past, present, and future of feminist religious ethics, because she is a source/mother to the discipline as she has been a founder/mother to this journal and to institu tions, such as the Women's Theological Center in Boston, where the work of feminist religious ethics is carried out. Beverly herself would say, I think, that she is most honored by the work included in this special issue, the essays that both carry on and expand the ethical commitments central to her life. The voices here, speaking about topics ranging from Immanuel Kant to racial difference, from Catholic economic teachings to female orgasm, all acknowledge Beverly's deep influence as colleague and teacher. In a recent essay reviewing the "projects, problems, prospects" of philo sophical feminist ethics, Alison Jaggar outlines a series of tasks crucial to feminist work.2 She remarks that there are two parallel strands of feminist ethical work, consisting of attention to contemporary ethical issues and criti cism of traditional ethical theory. Within the first strand, feminists have both reconsidered "standard" ethical issues, such as the economy, in light of women's experiences and brought into the scope of moral reflection issues

Hopkins scientist tunes in to treat tuberculosis

Hopkins scientist tunes in to treat tuberculosis

The Making of A Psychiatrist

The Making of A Psychiatrist

Conversation with Conan Kornetsky.

Conversation with Conan Kornetsky.

Letter to Larry

Oscar Epfs! I've forgotten the year this famous painter had an expo in Paris, to which you were invited. It was a great success. People came up to ask you what you thought of him ... Later, back in Sommieres, we couldn't stop laughing as you described the scene, how you answered or received the criticisms, all the while asking where Oscar Epfs was and would he be coming?! Was the mystery ever cleared? I don't know, but it can't be a secret any more. D'ailleurs Oscar Epfs was not an orphan, for in due course appeared a plump lady you introduced as Mrs. Epfs. You said she was the most wonderful woman you had ever met. She would stay exactly where you put her, never utter a sound (and presumably not claim alimony in case .. .). Well, generally Mrs. Epfs was to be found floating on her back in the pool. In summer we would gather round the pool and admire her as she slowly revolved, arms and legs widely spread (surely for balance) on the water. One evening, you were sitting with a glass in your hand (I've never seen you seated otherwise) while the children (Sapphy, Diana and Barry-Penny was in England) and I basked in the sun. Quite

The Birth and Growth of "Friends of Women's Studies" at the University of Cincinnati

Every day, from September through May, for the past six years I have greeted my colleagues in the Center for Women's Studies with a question: How many Friends do we have? I wasn't paranoid; I was checking and rechecking and checking once again on the health of a young organization-Friends of Women's Studies. The following essay is an attempt to explain how Friends came about, how it functions, and what it has accomplished. It is meant, in part, as a response to the many women's studies directors who have phoned and written to ask, How can I start a Friends group? It is also meant as a tribute to the wonderful women with whom I have worked who shared my dream and turned it into a reality. I arrived at the University of Cincinnati in July of 1979 to assume the directorship of the Women's Studies Program, which was then five years old. The university's crowded campus had given rise to many programs for its 36,000 students, but many had also languished because of lack of funds and energy. The Center for Women's Studies had achieved a small niche-an office in an outof-the-way building, a part-time assistant, and a secretary. But despite enthusiastic faculty, a potpourri of wonderful programs, and a regular newsletter, the program had little visibility on campus and very little in the larger community. I was determined to bring women's studies to a much larger audience. I believed then, as I still do, that women's studies courses, lectures, symposia, and publications are too good to keep to ourselves. In the spring of 1980, I brought together a handful of faculty and a somewhat larger group of community women to begin an open-ended dialogue on the significance of women's studies on campus and in the community. That dialogue continues and has expanded over the years to include thousands of participants and to address every significant issue facing women today. The immediate outcome of this extended discourse was the creation of Friends of Women's Studies, an organization devoted to supporting the Center. The longer term outcome has been the personal and communal growth of women's studies faculty and Friends. A description and analysis of three recent events will illustrate the current dimensions of this dialogue.

Shakespeare in The Berkshires

but an almost total failure, inspiring no resonances and decaying into a lifeless recitation of My Greatest Hits. Margaret Dent's Shakespeare's Wonderful Women aimed for less, being openly a selection of readings, and achieved it, turning each character into a personification of a single emotion and linking them with a biographical narrative full of myth and misinformation. Two actresses separately impersonated Ellen Terry in solo shows: though Page Hedden Wilson's was subtitled An Actress Who Loved and pretended to be one of Terry's Shakespearean lectures, she imagined Terry constantly drifting from the point into grandmotherly reminiscence; Bess Finney's Terry, openly reminiscing, gave more of a sense of the actress and interpreter of Shakespeare. Finally, the inevitable jabs at Shakespeare in the satirical revues. The topical Newsrevue turned striking miners' union leader Arthur Scargill into Henry V exhorting his men back to the picket lines with an updated version of Once more. Oxford made a running gag out of blackouts involving Richard III, who would enter only to forget his lines, or to start To be or not to be. The Bodgers showed a schoolmaster delicately criticizing a student production (Perhaps if Macduff had killed Macbeth instead of the way you did it....), while Cambridge graduates Tony Slattery and Richard Vanch offered a sly parody of RSC star Alan Howard and imagined an underwater Merchant. And Cambridge typified one level of collegiate humor with Richard III at dinner (brace yourself; you may not like this): Now is the dinner if his intent made poisonous supper. . . . I have a hunch it will work. . . . The joint envenomed too. . . The course, the course; I've poisoned the main course!