Wayang Kulit Performance Research Articles

“Sepuh” in puppetry tradition of wayang kulit performance in ruwatan ceremony

“Sepuh” in puppetry tradition of wayang kulit performance in ruwatan ceremony

Character Education Values of Kresna Character in Wayang Kulit Performance Lakon Kresna Duta by Ki Sigit Manggolo Seputro

Character Education Values of Kresna Character in Wayang Kulit Performance Lakon Kresna Duta by Ki Sigit Manggolo Seputro

Suluk pedalangan literature in a semiotic perspective

Suluk pedalangan is a form of Javanese literary work, a type of poetry sung by a dalang (puppeteer) in a wayang kulit (shadow puppet) performance. Semiotically, Suluk functions to explain the characterization of scenes whether they are grand, tense, sad, or happy in accordance with the pathet (arrangement of notes) in karawitan (traditional Javanese gamelan music). This research aims to identify and understand the characteristics of suluk from a semiotic perspective. The method used is descriptive qualitative. The data source is Suluk Pedalangan which was collected by Padmosoekotjo (1978). The results of the research show that the suluk pedalangan texts use the Old Javanese language krama alus and krama madya. The results of the research show that the sulukan in wayang kulit performances has the characteristics of being one of the puppetry literature performed (sung) by puppeteers adapted to the pathet and time. When sung by the puppeteer, the sequence of sulukan is adjusted to the time, rhythm (pathet), and kempyung note sequence (beating two notes together with a distance of two notes). Semiotically, the meaning and function of sulukan in setting the atmosphere hold an important position, broadly serving to intensify, embellish, enhance, and shape the atmosphere in various scenes. Textually, sulukan basically refers to the scenes presented. However, if you do not know the meaning of the words, symbols and figures of speech used in sulukan, the aesthetic value and dramatic atmosphere of the scenes presented in wayang kulit performances will be less meaningful. Philosophically, the meaning of sulukan in relation to the sequence of kempyung notes and the time they are expressed symbolizes the journey of a human life, from birth, childhood, adolescence, adulthood, and old age.Keywords: Puppetry literature, semiotics, sulukan, wayang

Sedekah Bumi (Earth Charity) as a Means of Social Interaction Amongst Religious Communities in Kalimangli Subvillage, Karang Tengah Village, Tuntang District

Dusun Kalimangli, Karangtengah Village, Tuntang District, Semarang Regency, possesses a local wisdom known as 'sedekah bumi' (earth charity). The implementation of sedekah bumi occurs annually through three main activities: cleaning the streets and rivers, a cultural parade followed by a communal meal, and a shadow puppet (wayang kulit) performance. This study aims to explore how sedekah bumi serves as a medium for social interaction among religious communities in Kalimangli Subvillage, Karang Tengah Village, Tuntang District. The research adopts a qualitative descriptive research method, employing social interaction theory and social action as analytical tools. The findings reveal that sedekah bumi acts as a medium for social interaction among people of different religions. It is evident that all residents of Kalimangli Subvillage, regardless of their religious background, come together to collectively clean the streets and rivers, prepare offerings, create ceremonial structures, and participate in a cultural parade. They wear traditional attire and celebrate the occasion with a wayang kulit performance that emphasizes universal values and human virtues rather than focusing on a particular religious narrative.

MITOS DAN NILAI AJARAN ISLAM DALAM TRADISI APITAN SEBAGAI BUDAYA JAWA DI DESA MEDANI KECAMATAN TEGOWANU KABUPATEN GROBOGAN

This article examines the myth of shadow puppet performances in the Apitan tradition in Medani Village, Tegowanu District, Grobogan Regency. The aim of this study is to find out the mythical narrative of wayang kulit performances in the Apitan tradition in Medani Village. This research uses historical methods with data collection techniques in the form of interviews and literature studies. The results of the research show that, in the myth of the shadow puppet show, there are two mythical narrative stories, namely the first version, which was long believed by native Medani residents with the belief that it is a myth, the first appeared when they once did not perform the Apitan wayang dhanyang, an angry pagebluk occurred and the second version was only believed by newcomers with mythical beliefs. This arose as a result of the spread of disease outbreaks due to the lack of knowledge among residents regarding hygiene and disease management, resulting in a disaster where many residents died simultaneously. The symbolic function of the Apitan tradition for Medani residents is intended to provide reinforcements to obtain safety for Medani residents from the influence of bad things or spiritual threats. Apart from that, it also increases the self-confidence felt by each Medani resident. And strengthening harmony between Medani residents is the result of a series of developing Apitan traditional events.

The Performance of the Pup Hacking Show Essential Philosophical Messages of Javanese Ethnic Life

Philosophical and philosophical are concerned with the values, assumptions or perceptions built by community members in their life journey. Philosophical and philosophical understood through things that are hidden and stated explicitly. Philosophical and philosophical in the text of Wayang Kulit can be analyzed through the use of transcribed speech language, so that the philosophical and philosophical in the text of Wayang Kulit are latent, therefore, the study of appraisal discourse analysis is to evaluate and interpret this philosophical form. Philosophical understanding can be interpreted as aspects of language that are philosophically charged. Language which is material that is charged, philosophically, there are aspects of language that are processed or formed by philosophies. Wayang kulit performance art as a tradition that combines various elements of art such as: the art of music, sound, dance and acting. This study uses a qualitative research method with research data which is text data of Wayang Kulit. The results of wayang kulit are obtained through the characteristics of the characters, moral messages and noble values, virtues, conveying religious dogmas, as well as the function of wayang as entertainment for wayang audiences and the public. Philosophical message as a philosophy of life, a positive attitude identified as the identity of the Javanese which is a philosophy that includes: a) philosophical as a philosophy of positive attitude, b) philosophical as a philosophy of patience, c) philosophical as a philosophy of truth, and d) philosophical as a philosophy moral attitude

Classification of Character Types of Wayang Kulit Using Extreme Learning Machine Algorithm

Wayang Kulit, which is an original Indonesian culture, is conditioned by the meaning of life in every performance. However, Wayang Kulit is currently less popular among young people due to a lack of understanding of the art of Wayang Kulit performance. To be able to provide knowledge to the younger generation about Wayang Kulit, one of which is by introducing the characters that exist in Wayang Kulit performances. This study aims to build an image classification system for Wayang Kulit characters by applying the neural network method using Extreme Learning Machine (ELM) and morphological feature extraction. Morphological feature extraction provides information about the shape characteristics of objects present in the image which are then used for input in the classification process. The Extreme Learning Machine (ELM) method may arbitrarily establish the weight value between the input neurons and the hidden layer during the classification step, resulting in a quicker learning pattern. Based on the test results using the confusion matrix, the accuracy value is calculated to get a value of 81%.

Pagelaran Wayang Sebagai Upaya Peningkatan Menulis Cerita Melalui Metode Sugesti Imajinasi

This study aims to determine the improvement of the results of writing stories through the method of imagination suggestion in class IXA students of SMP Negeri 27 Semarang in semester 1 and to increase students' love for writing stories through the method of imagination suggestion in class IXA students of SMP Negeri 27 Semarang. This type of research is classroom action research (CAR) which consists of pre-cycle, cycle I, and cycle II. The average pre-cycle score reached 62.93 so it was categorized as incomplete and students' completeness was only 37%. The average value of my cycle reached 76.40 so it was completed completely and students' completeness was 97%. In the second cycle, the average value of the class was 82.06% with the category of attention and students who achieved 100% completeness. In the pre-cycle students are given the freedom of the theme of the wayang story. In cycle I the story is titled Bedhah Alengka. In cycle II, the story of Anoman Duta is from the famous dhalang Ki Bayu Aji Prasetya. From the results of the non-test, it was found that most of the students were happy and enthusiastic watching the wayang kulit performance as a medium with the method of imagination suggestion. This method can also help students' difficulties in writing wayang stories.

Mitigasi Bencana Berbasis Kearifan Lokal di Daerah Wadaslintang Kabupaten Wonosobo

This research is about the mitigation or prevention of social disasters based on local wisdom that occurred in the Wadaslintang area, Wonosobo Regency. This study uses a qualitative approach. Data were collected through this research method using the method of literature study or literature study. This method was chosen because of the short research time and to find references on the basis of theories that are relevant to the cases or problems found. This study aims to determine one of the local wisdoms used to prevent social disasters. The results showed that: (a). The slamatan (tumpengan) which is given the name buceng stands for "nyebuto sing kenceng" which means praying together in earnest, which is exchanged for those present which is interpreted as friendship, mutual cooperation and kinship between members of the community so that they live safely, securely, and peacefully. (b). Wayang kulit performances at night are a means of learning for the younger generation to love the noble culture. Wayang as a spectacle (entertainment) as well as a guide (example) to be implemented in everyday life for the good things, and shunned for the bad things. The main obstacle in implementing the Merdi Desa tradition is funds (finance) because in its implementation it requires relatively large funds, and public awareness of contributions is decreasing.

THE WAYANG AND ITS ENCHANTING LITTLE PUPPETEERS: EXPLORING COGNITIVE ABILITIES OF CEREBRAL PALSY CHILDREN THROUGH PERFORMANCE

Wayang Kulit or shadow theatre, an ancient theatrical performance practice has given opportunity and space for researchers to explore the possibilities of creating a stimulating environment for performance and cognitive development among cerebral palsy children. This study looks at how three important performative elements in Wayang Kulit performance, “story-telling, role-playing and space” are explored for the development of cognitive abilities; i) to learn, ii) to sequence and iii) to reason, among cerebral palsy children. The study employs an action-research methodology which looks at participation-observation and artistic processes ranging from drama/theatre approaches to speech and vocal exercises. To assist the children in achieving the intended goals, “sensitive assistance” approach was also employed whereby teachers/facilitators assist the children during the workshop and training sessions. The cerebral palsy children were not only the participants of the workshops but more importantly, were the performers, storytellers, musicians, and puppeteers. Findings of this study show the children could, a) memorize the script (ability to learn), b) present the script in a story-telling manner (ability to sequence), c) role-play (to reason), and d) understand the mechanism of the performative setting (on and off stage). In addition, the study shows that through the sessions conducted via Wayang Kulit performance, the children learned to communicate, respond to each other, and also express themselves emotionally.

The Role of Kiai Syakirun in Preaching through the Using of Wayang Kulit in Tipar, Rawalo, Banyumas Regency (1998-2016)

The role of Kiai Syakirun in spreading Islam using the wayang kulit as media demonstrated a fairly exciting method. Every Wayang Kulit performance conducted by Kiai Syakirun conveyed meaningful messages, especially regarding religious, social, and cultural life. In his performance, every wayang movement showed a positive message. This spectacular performance lies because the Islamic values and practices used by Kiai Syakirun are more easily captured by the public. In this study, the authors used historical research methods consisting of heuristics, verification, interpretation, and historiography. The theory used in this research is the theory of cultural and religious relevance. The results of this study are in the process of preaching in Tipar Village, Kec. Rawalo, Kab. Banyumas, Kiai Syakirun using shadow puppet media. He recites Quranic verses echoed with songs and explain the wayang characters depicted in human life. Kiai Syakirun's role in spreading Islam in Tipar Village is very influential within his neighborhood. As Kiai Syakirun's influence gradually increased, inhabitants in his community abandoned their customs, such as worshiping trees and eating wild boars as side dishes. All their habits are abandoned and replaced by worship, praying and, reciting the Koran, eating by relying on natural products such as vegetables

“Nga-wayang”: A New Dance Creation from a Globalized Sociocultural Environment

This scientific article aims to discuss a new dance creation entitled “Nga-wayang”, whose creation idea depicts the character Gatot Kaca in a two-dimensional wayang kulit show. No one has worked on a dance that was transformed from a two-dimensional wayang kulit performance into a new three-dimensional dance creation. The creation of the “Nga-wayang” dance uses qualitative methods. The creation process is carried out in stages: ngarencana, nuasen, makalin, nelesin, and ngebah. The search for ideas was carried out using participatory observation techniques and in-depth interviews with related parties. The deepening of the character of Gatot Kaca's character is carried out through library research and discography. The process of creating this new dance creation is carried out using transformation theory and aesthetic theory. The cultivation of this work of art has resulted in a new dance creation entitled “Nga-wayang”. As a new dance creation, “Nga-wayang” is presented full of new ideas based on the influence of the art ecosystem in the influence of globalization in terms of poses, variety of movements, techniques, dynamics, tempo, and level play based on multimedia such as LCD projectors, LED lights, and smoke. The process of composing this dance has been carried out since this material was developed as a final choreography class assignment, the presentation of which has been continuously refined. “Nga-wayang” is a new dance creation that departs from the experience of the cultural environment in the era of globalization, namely the ecosystem as an art reinforcement.

STATEGI KOMUNIKASI DALAM MEPERTAHANKAN EKSISTENSI WAYANG KULIT PADA BERSIH DESA (Studi pada Ritual Bersih Desa di Desa Siraman Kecamatan Kesamben Kabupaten Blitar)

Bersih Desa is a hereditary tradition in Javanese culture. Bersih Desa is a form of the union of humans with nature and a form of gratitude to the Creator, namely God Almighty. Clean Village can be defined as a form of gratitude for both the harvest, health, and prosperity. So in the Bersih Desa event, a shadow puppet cultural art performance is always held. The existence of shadow puppets in Java until now shows that they are still popular in the midst of the audience. The ability of wayang kulit to survive from generation to generation is something that proves that wayang kulit is an art that not only contains Javanese cultural values ​​but is a personal need for wayang kulit fans because wayang kulit shows have messages and advice conveyed to the audience. The ability of wayang kulit that persists in the midst of modernization and globalization, socioculturally this wayang kulit adapts to developments in society. Psychologically, wayang kulit is still firmly attached to the minds of its fans. The shadow puppet show in Bersih Desa event must still exist in the community so it is very important to have a communication strategy in maintaining its existence, one of which is in Bersih Desa event to preserve the local cultural heritage of the ancestors.
 This study uses a descriptive qualitative method regarding communication strategies in maintaining the existence of wayang kulit at Bersih desa, with the support of literature studies and observations or observations of wayang kulit performances. Data was collected using interviews, literature and documentation. By using a descriptive method, the results of the communication strategy in maintaining the existence of wayang kulit at Bersih desa can be described in depth, detail and holistically.
 The communication strategy in maintaining the existence of wayang kulit at Bersih Desa is carried out by planning communication (communication planning) and communication management (communicatiom management) to achieve a goal. Communication strategy planning is carried out by covering: a.) Identify the target audience,b.) Build what you want to achieve c.) Think about what should be included in the message d.) How much commitment is required, smutual respect for intergenerational culture so as to create a good correlation. e.) Choose the right media channel, f.) Communication plan, to provide information to g.) Measure the success achieved, h.) The communication program that has been implemented needs to be evaluated to find out the extent of the success achieved, Communication management oncommunication strategy in maintaining the existence of wayang kulit at Bersih Desa carried out with activities including: implementation activities, organizing, directing, controlling, influencing the level of success, recipients, successful communication strategies or not, it is necessary to review the implementation of communication activities, effective & efficient on communication strategies, supporting factors for wayang kulit.

Potret Keberadaan Kesenian Wayang Kulit di Bekasi: Wayang Kulit Akulturasi (Periode Tahun 1970-2015)

This article aims to describe the development of wayang kulit in Bekasi in 1970-2015. Broadly speaking, the main problem studied in this article is about "How is the existence of wayang kulit in Bekasi in the midst of the rapid pace of globalization in 1970-2015?". The author uses historical methods consisting of four steps: heuristics, source criticism, interpretation, and historiography. Based on the results of research in its development, wayang kulit in Bekasi experienced dynamics in the span of 1970-2015. In the 1970s this art is in great demand by the public, it can be seen from the intensity of the performance is very dense. But entering 2015 the intensity of wayang kulit performances in Bekasi is decreasing. This indicates that the Betawi puppet was demoted by Betawi ethnic community it self and the society in general. Globalization is one of the factors that cause a decrease in public interest in traditional arts.

DIGITAL CAPITAL AS INFORMAL SOCIAL PROTECTION IN THE PANDEMIC COVID-19’S ERA (CASE STUDY OF THE WAYANG KULIT ASSOCIATION IN YOGYAKARTA)

This article explains digital capital in the wayang kulit (Javanese traditional shadow puppet) association in Yogyakarta during the Covid-19 pandemic era and how its digital capital can protect and serve as informal social protection for the wayang kulit artists association in Yogyakarta in the difficult time. Following the case study method is to investigate WL (Ki SN) association, the group of wayang kulit GP (Ki CB) and SK (Ki GS). The three associations were chosen because they can survive in the middle of the pandemic by holding wayang kulit performances virtually using existing social capital and digital capital. Based on the research results show during the Covid-19 pandemic, digital capital is more effective in providing social protection for group or associations of wayang kulit in Yogyakarta than the traditional social capital scene. The higher the digital capital has seen from the virtual social network (subscriber and viewer or virtual audience), norms of reciprocity, and trust existing with external parties to increase the virtual shows, therefore it can meet the economic needs and welfare of every member in the group and association for facing the pandemic. This research offers a new alternative framework related to digital capital as a informal social protection form. Meanwhile, the practical result is as references for wayang kulit artists to survive in the uncertainty of pandemic and adapt to the challenges of technological digitalization. In addition, it can suggest for the government in formulating rules and an effective model of social protection policy for wayang kulit performances, shadow puppet artists, and in general other artist who rely on art performance as their livelihoods.

The Application of Binaural System on Virtual Reality Technology Through the Animation of Wayang Kulit Yogyakarta Performance

Binaural system is an audio technology which relatively easy to apply these days. This was due to the growth in technology developments of the audio recording system. The application of this system is not well known in Indonesia. This was aligned with public assumption where Wayang Kulit performance are one of many unappreciated forms of arts in Indonesia. The main problem that occurred is that whether the binaural system conjoined with the Virtual Reality (VR) System can make the public more appreciate the art form of Indonesian Wayang Kulit. By using the theory of perception conjoin with the binaural technology, it can be assumed that the audience can have a new experience from the performance through the VR thus elevating their appreciation for the art itself. This research will be divided into three stages. The first stage focused on the application of the binaural system on Wayang Kulit Animation through VR system. The second stage will focus on the product assessment whether it can elevate the appreciation of the audience for the art itself. The third stage will focus on applying the binaural system on other Indonesian art form. This year, the research will begin at the first stage.

Factors Influencing the Success of Wayang Kulit Performances

This research developed a model for the creative industry of wayang kulit (shadow puppet) performances. It established factors influencing the success of wayang kulit shows. The study questioned whether (1) nature increases innovative behavior; (2) personality improves innovative behavior; (3) the ability to adopt innovative behavior increases business success; (4) age increases entrepreneurial success. A sample of 75 respondents from wayang kulit shows in three locations in Indonesia was used. The Partial Least Square (PLS) technique with WarpPLS 5.0 software was employed for data analysis. The results show that (a) individual traits influence innovative behavior; (b) an individual’s personality has no impact on innovative behavior; (c) innovative behavior influences the success of the show; and (d) old age lowers the success rate. This study provides empirical evidence that characteristics and behavior are factors that drive the success of wayang kulit shows. Additional testing was conducted to determine the level of audience satisfaction with the shows. Questionnaire results were obtained from 63 respondents. Testing focused on information, identity, interaction and entertainment.
 Keywords: creative industry, wayang kulit performance, Indonesia

Spatial Adaptation of Traditional Javanese Houses in Landscape Design of Senaputra Cultural Tourism Park

One of the efforts to preserve Indonesian culture and heritage is through cultural tourism parks. Therefore, the existence of a cultural tourism park is very important because it has Indonesian cultural values. The problem currently faced by Indonesia, especially Malang City, East Java, is the number of new modern tourism parks that make cultural tourism parks less attractive. The rise number of modern tourism parks in Malang has reached 100% in the last 5 years, while there has been no addition of cultural parks in Malang. As what happened at the Senaputra Cultural Tourism Park, Malang that is famous as a park that preserves traditional culture, especially East Java culture. In the glorious era of Taman Senaputra in 1980s, traditional East Javanese dances and wayangkulit performances were often held. The research method used quantitative and qualitative research. First, through observation to determine the factual conditions of the research area using walkthrough analysis techniques. Second, through questionnaires to find out communities perceptions of preferences between modern parks compared to cultural parks and to find out the communities perception of the Senaputra cultural park main problems. The results of the questionnaire were processed using SPSS and analyzed using a linkert scale to determine the priority scale of main problems. The results of this study showing people preferences and perception index score of modern park 82.04% and cultural park 17.96%. The main problem of less preferences index score of cultural park is due to of the irregular landscape arrangement of the cultural park and does not have the characteristics of Javanese culture as a cultural park and author observation’s resulted that this park also lacks of maintenance and most of park elements are damaged , so there is a need for design directions from the landscape side which has the character of Javanese culture in an effort to revive (revitalize) the cultural tourism park so that it is again in demand and cultural values as the national identity are not forgotten and lost DOI: https://doi.org/10.26905/lw.v13i1.4770

Makna Nilai Filosofi Wayang Kulit Sebagai Media Dakwah

When the teachings of Islam were spread on the island of Java, the majority of people who still embraced Hinduism had a fondness in watching the wayang performances. Historically, the wali songo using cultural approach and plays a major role in the development of wayang in Indonesia. In addition to using wayang as a medium of propaganda, also through various forms of other cultural acculturation for example through the creation of Javanese Islamic songs, gamelan, and Islamic story. In wayang kulit performances bring a lot of influence for the Java community because it contains many philosophy of life and values of the noble. The wayang culture, which continues to evolve from time to time, is also a medium of information, da'wah, education, entertainment, philosophical understanding, as well as entertainment, as well as the philosophical value embodied in puppet always invites society to do good and avoid crime.

The Current Trend in the Fusion of Wayang Kulit Performance Styles from the ‘Keraton’ Tradition and ‘Folk’ Tradition

The research is financed by Ministry of Research, Technology and Higher Education of the Republic of Indonesia through Competency Grants . Abstract The aim of this research is to analyze the performance styles of wayang kulit purwa (classical shadow puppet theatre) from the keraton (court) tradition and the folk tradition in the past and present day. The research subject about the performance of wayang kulit from the keraton tradition is limited to Surakarta style wayang kulit performance, and the research subject about the performance of wayang kulit from the folk tradition includes East Javanese style and Kedu style. The problem discussed in this study is the cultural interaction between dalang (puppeteers) from the keraton tradition and the folk tradition. The research uses a qualitative method with an analytical descriptive analysis. The research data was collected through a library study, documentary study, observation, and interviews. The results of the research show that the performance of wayang kulit purwa in the present day has become diluted in terms of its performance style. Artistic elements from the folk tradition have been absorbed into the performances of dalang from the keraton tradition, and vice versa. The orientation of the performance of wayang kulit purwa in the present day is no longer simply for the audience to enjoy its storyline but also to entertain. Nevertheless, a complete aesthetical nuance is only present in wayang kulit performances from the ex- keraton tradition, while performances of wayang kulit from the folk tradition remain oriented to the nuances of gayeng (lively) and gobyog (dynamic). Keywords: wayang kulit performance, keraton tradition, folk tradition, fusion of styles. DOI : 10.7176/ADS/76-07 Publication date :September 30 th 2019