The paper examines synthetic connection of different epochs, countries, genres and types of art in modern creative cognition and comprehension of social phenomena basing on experience in creating and realizing movable art exhibition of Antoni Miro in Ukraine and Lithuania. Two postulates serve as a starting point for this article. Firstly, that art of XX-XXI cc. has been traditionally oriented to search of synthetic forms of expression – from synthesis of remote art traditions (dialogue of cultures) to synchronistic dialogue of styles, interspecific interactions. The term of synchronism, coined by C.G. Jung, is used here as coincidence of senses in creative process. Secondly, that art, paraphrasing modern Lithuanian philosopher L. Donskis, often discovers better problems of modern world than philosophical works anticipating them in many sense. The subject of investigation is art exhibition Power of Imagination based on works of Catalan artist Antoni Miro – his graphic series Wind of People and illustrations (works from series Paint Painting) to book Power and Imagination by Leonidas Donskis. This movable exhibition was held in Ukraine (Lutsk, Dnipropetrovsk, Vinnytsia and Kyiv) and Lithuania (Kaunas). The series Wind of People (Viento del pueblo) is dedicated to artist’s friend, eminent Spanish dancer, Antonio Gades (1936-2004). 24 lithographs correspond to 24 lines of poem of famous Spanish poet Miguel Hernandez Wind of People (1937). The poet from town of Orihuela firstly published this poem, on October 22, 1936, three months after coup d’etat by general Franco and beginning of Civil War in Spain. The same year when Miguel Hernandez published his poem, Antonio Esteve Rodenas, who later took a stage name Antonio Gades, was born in a small town of Elda, on November 14, 1936.El viento del pueblo encompasses a series that perfectly synthesizes simultaneity of three languages – poetry, dance and There are three axes of exhibition, forth axis is philosophical work by L. Donskis illustrated by A.Miro’s works. The modern art using various languages and removing traditional borders between types and forms by uniting them as a whole (in terms of painting, performing art or cinematography) acquires additional power, power of moral imagination. The series Paint Painting by A. Miro could be considered on a level of famous twentieth-century dystopias by Yevgeny Zamyatin, Aldous Huxley, George Orwell, and Anthony Burgess, analyzed by Donskis in his book. All authors used similar devices of expression in different genres: allegory, allusion, grotesque, hyperbole, quotation, social satire. If mentioned authors of literary dystopias seek what such twentieth-century thinkers as Hannah Arendt, Simone Weil, Lewis Mumford, Isaiah Berlin, and Leszek Kolakowski sought in their social and political philosophy, images of A. Miro anticipate to some extent conclusions of Manuel Castells, Francis Fukuyama or Noam Chomsky.The series Paint Painting has also a number of analogies in XX century. The best of them is Joyce’s Ulysses, which needs profound commentary. In same way, any picture by Miro could be provided with extended comments or separate article. If Argentine writer Jorge Luis Borges is known as the librarian of world literature, then Valencian artist Antoni Miro could be rightfully called the treasurer of world painting. The art exhibition Power of Imagination showing in Ukraine has united three famous Spanish artists, a poet, a dancer, and a painter, with a well-known Lithuanian philosopher and literary critic, presenting that high synthesis of arts which allows expressing deeper world of changeable and liquid modernity. Summarizing, one could say that synchronism is not a sole principle appropriate to art of XX-XXI c., inherited from previous epochs, but pivotal characteristic of modern art, which using different types, genres, languages and technologies (including most advanced) easily overcomes physical and conditional borders uniting representatives of various cultures, times and peoples in creative cognition. The analyzed exhibition Power of Imagination is a striking instance: idea of its realization resulted in creative act of coincidence of diverse senses, aspirations and feelings. It indicates future direction for research of modern art seeking to challenge bounds of canvas and space of galleries.